by #vednoaktualno | Okt 5, 2025
Vabljene_ na avtorski projekt Katje Markič, Katje Gorečan in Rine Pleteršek 𝐢𝐧 𝐣𝐚𝐳 𝐤𝐨𝐦𝐚𝐣 𝐝𝐢𝐡𝐚𝐦, ki bo v sredo, 15. oktobra ob 20ih v Galeriji Škuc!
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V začaranem krogu paničnih napadov, stiske ter tesnobe se skrivajo telesne in zvočne pokrajine, ki komaj čakajo, da jih odkrijemo iz sence.
Podobe senc, sanj in vdora resničnosti nas z elementi senzoričnega in gibalnega gledališča nagovarjajo k vzpostavljanju empatije in kolektivne izkušnje dihanja.
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Rezervacije sprejemamo na [email protected]
🕙 45 min
🌍 v slovenščini
🎟️ 10/7* €
Več —-> https://mestozensk.org/index.php/sl/festival/2025/dogodek/119825
Avtorstvo in koncept: Katja Markič, Katja Gorečan, Rina Pleteršek;
režija: Katja Markič;
performerka: Rina Pleteršek;
dramaturgija: Katja Gorečan;
producent: Jernej Škof
produkcija: Zavod Omrežje;
koprodukcija: Društvo ŠKUC, Zavod Carnica – Zavod za kulturo in turizem, Kulturno izobraževalno društvo PiNA;
podpora: Mestna občina Ljubljana;
organizacija: Mesto žensk.
ENG
You are invited to a theatre show by Katja Markič, Katja Gorečan, and Rina Pleteršek, 𝐚𝐧𝐝 𝐈’𝐦 𝐛𝐚𝐫𝐞𝐥𝐲 𝐛𝐫𝐞𝐚𝐭𝐡𝐢𝐧𝐠, which will take place on Wednesday, October 15, at 8 p.m. at the Škuc Gallery!
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In the vicious circle of panic attacks, distress, and anxiety lie bodily and sonic landscapes waiting to be brought out of the shadows. Images of shadows, dreams, and the intrusion of reality, through elements of sensory and movement-based theatre, invite us to cultivate empathy and share in a collective experience of breathing.
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You can book your ticket on [email protected]
🕙 45 min
🌍 in Slovene language
🎟️ 10/7* €
More ——> https://mestozensk.org/index.php/en/festival/2025/dogodek/119825
Authorship and Concept: Katja Markič, Katja Gorečan, Rina Pleteršek;
direction: Katja Markič;
performer: Rina Pleteršek;
dramaturgy: Katja Gorečan;
creative production and public relations: Jernej Škof;
producer: Jernej Škof;
production: Zavod Omrežje;
co-production: Društvo ŠKUC, Zavod Carnica – Institute for Culture and Tourism, Cultural and Educational Association PiNA
support: City Municipality of Ljubljana;
organisation: City of Women.
by #vednoaktualno | Okt 5, 2025
»𝐒𝐢 𝐩𝐫𝐞𝐩𝐫𝐢𝐜̌𝐚𝐧𝐚, 𝐝𝐚 𝐬𝐢 𝐯 𝐫𝐞𝐝𝐮? 𝐙𝐚𝐝𝐧𝐣𝐞 𝐜̌𝐚𝐬𝐞 𝐝𝐞𝐥𝐮𝐣𝐞𝐬̌ 𝐮𝐭𝐫𝐮𝐣𝐞𝐧𝐚. 𝐈𝐧 𝐭𝐮𝐝𝐢 𝐩𝐨𝐳𝐚𝐛𝐥𝐣𝐚𝐬̌ 𝐯𝐞𝐥𝐢𝐤𝐨 …«
Vabljene_ na projekcijo filma Plinska luč (1944) po katerem je dobil ime izraz “gaslighting” (slovenski prevod: mráčenje), ki bo v nedeljo 12. oktobra ob 19ih v Kinodvoru.
Gaslighting, po slovensko mráčenje, je zahrbtna oblika manipulacije in psihološkega nadzora. Žrtvam mračenja storilec namerno in sistematično daje lažne informacije, ki jih napeljejo k dvomljenju, ali je vse, kar vedo, res. Lahko začnejo dvomiti o svoji zmožnosti pomnenja, zaznavanju in celo o lastni razsodnosti.
𝐏𝐫𝐨𝐣𝐞𝐤𝐜𝐢𝐣𝐢 𝐛𝐨 𝐬𝐥𝐞𝐝𝐢𝐥 𝐩𝐨𝐠𝐨𝐯𝐨𝐫 𝐬 𝐩𝐢𝐬𝐚𝐭𝐞𝐥𝐣𝐢𝐜𝐨 𝐢𝐧 𝐟𝐢𝐥𝐦𝐬𝐤𝐨 𝐤𝐫𝐢𝐭𝐢𝐜̌𝐚𝐫𝐤𝐨 𝐇𝐞́𝐥𝐞̀𝐧𝐞 𝐅𝐫𝐚𝐩𝐩𝐚𝐭.
Hélène Frappat bo dan prej, v soboto, 11. oktobra ob 18ih predstavljala tudi svoje delo Mračenje ali umetnost utišanja žensk v Atriju ZRC.
—> https://mestozensk.org/sl/festival/2025/dogodek/119815
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Mlada ženska Pavla, ki živi s svojo teto, znano operno pevko, se po njenem umoru preseli v Italijo. Deset let pozneje se po kratki romanci poroči s pianistom Gregoryjem Antonom, ki je v resnici morilec. Par se vrne v tetino hišo, kjer niz nerazložljivih dogodkov vodi Paolo do suma, da počasi izgublja razum.
Toda nenavadni dogodki – kot je skrivnostno ugašanje plinskih svetilk v hiši (od tod tudi naslov filma) – so v resnici Gregoryjeva skrbno načrtovana dejanja, s katerimi želi svojo mlado ženo pripraviti do blaznosti, jo dati v norišnico in si nato prilastiti skriti zaklad draguljev v hiši.
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🕙 114 min
🌍 v angleščini s slovenskimi podnapisi
🎟️ 6,30 €
Režija: George Cukor;
produkcija: Metro-Goldwyn-Mayer Distributed by Loew’s, Inc;
organizacija: Kinodvor, Mesto žensk.
S pomočjo Francoskega inštituta v sloveniji.
ENG
“𝐀𝐫𝐞 𝐲𝐨𝐮 𝐬𝐮𝐫𝐞 𝐲𝐨𝐮’𝐫𝐞 𝐚𝐥𝐫𝐢𝐠𝐡𝐭? 𝐘𝐨𝐮’𝐯𝐞 𝐬𝐞𝐞𝐦𝐞𝐝 𝐭𝐢𝐫𝐞𝐝 𝐥𝐚𝐭𝐞𝐥𝐲. 𝐀𝐧𝐝 𝐲𝐨𝐮’𝐯𝐞 𝐛𝐞𝐞𝐧 𝐟𝐨𝐫𝐠𝐞𝐭𝐭𝐢𝐧𝐠 𝐚 𝐥𝐨𝐭 𝐭𝐨𝐨 …”
We invite you to a movie projection Gaslight (1944) after which a term gaslighting got its name and that will happen on Sunday, 12th of October at 7pm at Kinodvor.
Gaslighting is an insidious form of manipulation and psychological control. The perpetrator deliberately and systematically gives victims false information, leading them to doubt whether everything they know is true. They may begin to doubt their ability to remember, perceive, and even their own judgment.
𝐓𝐡𝐞 𝐬𝐜𝐫𝐞𝐞𝐧𝐢𝐧𝐠 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐟𝐨𝐥𝐥𝐨𝐰𝐞𝐝 𝐛𝐲 𝐚 𝐝𝐢𝐬𝐜𝐮𝐬𝐬𝐢𝐨𝐧 𝐰𝐢𝐭𝐡 𝐰𝐫𝐢𝐭𝐞𝐫 𝐚𝐧𝐝 𝐟𝐢𝐥𝐦 𝐜𝐫𝐢𝐭𝐢𝐜 𝐇𝐞́𝐥𝐞̀𝐧𝐞 𝐅𝐫𝐚𝐩𝐩𝐚𝐭.
The day before, on Saturday, October 11, at 6 p.m., Hélène Frappat will also present her work Gaslighting: Or the Art of Silencing Women in Atrij ZRC. —> https://mestozensk.org/en/festival/2025/event/119799
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Paula, a young woman who lives with her aunt, a famous opera singer in London, moves to Italy after her aunt is killed during a burglary. Ten years later, following a brief courtship, she marries the pianist Gregory Anton, who, unbeknownst to her, is actually the murderer. The couple returns to her aunt’s house, and a series of unexplained incidents lead Paula to suspect that she may be slowly going mad.
However, the strange events—such as the mysterious dimming of the gaslights in the house (hence the title of the film)—are actually orchestrated by Gregory in an attempt to drive his young bride mad, institutionalize her, and then steal a cache of jewels hidden somewhere in the house.
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🕙 114 min
🌍 in English with Slovene subtitles
🎟️ 6,30 €
Directed by: George Cukor;
Production: Metro-Goldwyn-Mayer Distributed by Loew’s, Inc;
Organised by: Kinodvor, City of Women.
With help from the French Institute of Slovenia.
by #vednoaktualno | Okt 5, 2025
𝐕𝐬𝐚𝐤 𝐤𝐚𝐦𝐞𝐧 𝐬𝐤𝐫𝐢𝐯𝐚 𝐬𝐯𝐨𝐣𝐨 𝐮𝐬𝐨𝐝𝐨. 𝐕𝐬𝐚𝐤 𝐝𝐞𝐥𝐜̌𝐞𝐤 𝐳𝐠𝐨𝐝𝐨𝐯𝐢𝐧𝐞 𝐨𝐛𝐥𝐢𝐤𝐮𝐣𝐞 𝐬𝐞𝐝𝐚𝐧𝐣𝐨𝐬𝐭. 𝐙𝐠𝐨𝐝𝐛𝐞 𝐳̌𝐞𝐧𝐬𝐤 𝐬𝐞 𝐩𝐫𝐞𝐩𝐥𝐞𝐭𝐞𝐣𝐨 𝐯 𝐦𝐨𝐳𝐚𝐢𝐤 𝐬𝐩𝐨𝐦𝐢𝐧𝐚 𝐢𝐧 𝐮𝐩𝐨𝐫𝐚.
Vabljene_ na performans Kamnolomke scenografinje in vizualne umetnice Barbare Kapelj, ki bo v nedeljo 12. oktobra ob 18ih v Muzeju novejše in sodobne zgodovine Slovenije!
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S Kamnolomkami smo želeli zgraditi ženski zemljevid Krasa, spoznati zgodbe žensk, ki so soustvarjale in ki še vedno gradijo naš širši prostor. Želeli smo sestaviti, zgraditi manjkajoče, spregledane delčke mozaika spregledane ženske zgodovine, ki sestavlja pokrajino med slovensko in italijansko mejo.
Uporabljeni kamni so del unikatnega zvočno kiparskega projekta Zven kamna, ki je nastal v sodelovanju Slovenskega tolkalnega projekta in akademske kiparke Alenke Vidrgar. Kamen ni samo estetski oz. vizualni element, niti ni samo izvor zvoka; je vizualno zvočna sinergija.
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𝐑𝐞𝐳𝐞𝐫𝐯𝐚𝐜𝐢𝐣𝐞 𝐯𝐬𝐭𝐨𝐩𝐧𝐢𝐜 𝐧𝐚 𝐫𝐞𝐳𝐞𝐫𝐯𝐚𝐜𝐢𝐣𝐞@𝐜𝐢𝐭𝐲𝐨𝐟𝐰𝐨𝐦𝐞𝐧.𝐨𝐫𝐠.
🕙 90 min
🌍 v slovenščini in angleščini
🎟️ 10 €
Avtorica in režiserka: Barbara Kapelj;
Koprodukcija: Mesto žensk;
podpirajo Ministrstvo za kulturo RS, Mestna občina Ljubljana, La filmo Udine, Larisa Vrhunc, Zavod Generator in Kamnolom Petrovica/Cava Petrovizza.
ENG
𝐄𝐯𝐞𝐫𝐲 𝐬𝐭𝐨𝐧𝐞 𝐡𝐢𝐝𝐞𝐬 𝐢𝐭𝐬 𝐨𝐰𝐧 𝐝𝐞𝐬𝐭𝐢𝐧𝐲. 𝐄𝐯𝐞𝐫𝐲 𝐟𝐫𝐚𝐠𝐦𝐞𝐧𝐭 𝐨𝐟 𝐡𝐢𝐬𝐭𝐨𝐫𝐲 𝐬𝐡𝐚𝐩𝐞𝐬 𝐭𝐡𝐞 𝐩𝐫𝐞𝐬𝐞𝐧𝐭. 𝐓𝐡𝐞 𝐬𝐭𝐨𝐫𝐢𝐞𝐬 𝐨𝐟 𝐰𝐨𝐦𝐞𝐧 𝐢𝐧𝐭𝐞𝐫𝐭𝐰𝐢𝐧𝐞 𝐢𝐧𝐭𝐨 𝐚 𝐦𝐨𝐬𝐚𝐢𝐜 𝐨𝐟 𝐦𝐞𝐦𝐨𝐫𝐲 𝐚𝐧𝐝 𝐫𝐞𝐬𝐢𝐬𝐭𝐚𝐧𝐜𝐞.
We invite you to a performance Stonebreakers by theatre director, set and costume designer, and visual artist Barbara Kapelj that will happen on Sunday, 12th of October at Muzej novejše in sodobne zgodovine Slovenije!
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With Stonebreakers, we wanted to create a women’s map of the Karst, to uncover the stories of women who helped shape—and continue to shape—our broader space. We aimed to piece together and reconstruct the missing, overlooked fragments of women’s history that form the landscape between the Slovenian and Italian borders.
The stones used are part of a unique sound-sculpture project called The Sound of Stone (Zven kamna), which was created in collaboration between the Slovenian Percussion Project and academic sculptor Alenka Vidrgar. The stone is not merely an aesthetic or visual element, nor is it just a source of sound; it represents a visual-auditory synergy.
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𝐓𝐢𝐜𝐤𝐞𝐭 𝐫𝐞𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧𝐬 𝐚𝐭 𝐫𝐞𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧𝐬@𝐜𝐢𝐭𝐲𝐨𝐟𝐰𝐨𝐦𝐞𝐧.𝐨𝐫𝐠 .
🕙 90 min
🌍 in Slovene and English
🎟️ 10 €
Author and Director: Barbara Kapelj;
Coproduction: City of Women;
Supported by Ministry of Culture of the Republic of Slovenia, Municipality of Ljubljana, La Filmo Udine, Larisa Vrhunc, Zavod Generator and Petrovica Quarry / Cava Petrovizza.
by #vednoaktualno | Okt 5, 2025
Vabljene_ na dogodek petih prepoznavnih in raznovrstnih glasbenic, ki je nastal v soorganizaciji Zavoda Sploh, koncertnega cikla Defonija in festivala Mesto žensk!
𝐕 𝐯𝐞𝐜̌𝐞𝐫𝐮 𝐬𝐞 𝐛𝐨𝐬𝐭𝐚 𝐨𝐝𝐯𝐢𝐥𝐚 𝐝𝐯𝐚 𝐤𝐨𝐧𝐜𝐞𝐫𝐭𝐚 – 𝐞𝐝𝐞𝐧 𝐛𝐨𝐥𝐣 𝐞𝐤𝐬𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭𝐚𝐥𝐧𝐨 𝐢𝐧 𝐢𝐦𝐩𝐫𝐨𝐯𝐢𝐳𝐚𝐜𝐢𝐣𝐬𝐤𝐨 𝐧𝐚𝐫𝐚𝐯𝐧𝐚𝐧, 𝐝𝐫𝐮𝐠𝐢 𝐛𝐨𝐥𝐣 𝐭𝐫𝐚𝐝𝐢𝐜𝐢𝐨𝐧𝐚𝐥𝐞𝐧 𝐢𝐧 𝐤𝐨𝐦𝐩𝐨𝐳𝐢𝐜𝐢𝐣𝐬𝐤𝐢.
🟣🔸V sklopu trajnostne turneje Better Live sta povabljeni nemška saksofonistka 𝐄𝐝𝐢𝐭𝐡 𝐒𝐭𝐞𝐲𝐞𝐫 in italijanska kitaristka 𝐅𝐫𝐚𝐧𝐜𝐞𝐬𝐜𝐚 𝐍𝐚𝐢𝐛𝐨, ki bosta skupaj prvič nastopili. V svobodni improvizaciji se jima bo v triu pridružila še domača violinistka 𝐀𝐧𝐚 𝐊𝐫𝐚𝐯𝐚𝐧𝐣𝐚.
🟣🔸 Drugi koncert pa bo ponudil duet italijanske kitaristke 𝐀𝐧𝐧𝐞 𝐆𝐚𝐫𝐚𝐧𝐨 in armenske pevke, živeče v ZDA, 𝐀𝐧𝐚𝐢̈𝐬 𝐀𝐥𝐞𝐱𝐚𝐧𝐝𝐫𝐞 𝐓𝐞𝐤𝐞𝐫𝐢𝐚𝐧, ki se bosta predstavili z armenskimi pesmimi z okusom flamenka.
🕙 120 min
🎟️ Vstop prost
Koprodukcija: Zavod Sploh, Better Live, Mesto žensk, Defonija;
podpora: Ustvarjalna Evropa Evropske unije, v okviru projekta Better Live, Ministrstvo za kulturo RS, Mestna občina Ljubljana.
ENG
We invite you to the event, featuring five renowned and diverse musicians that was co-organized by Zavod Sploh, the concert series Defonija, and the City of Women festival!
𝐓𝐡𝐞 𝐞𝐯𝐞𝐧𝐢𝐧𝐠 𝐰𝐢𝐥𝐥 𝐢𝐧𝐜𝐥𝐮𝐝𝐞 𝐭𝐰𝐨 𝐜𝐨𝐧𝐜𝐞𝐫𝐭𝐬—𝐨𝐧𝐞 𝐦𝐨𝐫𝐞 𝐞𝐱𝐩𝐞𝐫𝐢𝐦𝐞𝐧𝐭𝐚𝐥 𝐚𝐧𝐝 𝐢𝐦𝐩𝐫𝐨𝐯𝐢𝐬𝐚𝐭𝐢𝐨𝐧𝐚𝐥, 𝐭𝐡𝐞 𝐨𝐭𝐡𝐞𝐫 𝐦𝐨𝐫𝐞 𝐭𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧𝐚𝐥 𝐚𝐧𝐝 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐢𝐨𝐧𝐚𝐥.
🟣🔸 As part of the sustainable Better Live tour, German saxophonist 𝐄𝐝𝐢𝐭𝐡 𝐒𝐭𝐞𝐲𝐞𝐫 and Italian guitarist 𝐅𝐫𝐚𝐧𝐜𝐞𝐬𝐜𝐚 𝐍𝐚𝐢𝐛𝐨 are invited to perform together for the first time. In a trio of free improvisation, they will be joined by local violinist 𝐀𝐧𝐚 𝐊𝐫𝐚𝐯𝐚𝐧𝐣𝐚.
🟣🔸 The second concert will feature a duet between Italian guitarist 𝐀𝐧𝐧𝐚 𝐆𝐚𝐫𝐚𝐧𝐨 and Armenian singer 𝐀𝐧𝐚𝐢̈𝐬 𝐀𝐥𝐞𝐱𝐚𝐧𝐝𝐫𝐞 𝐓𝐞𝐤𝐞𝐫𝐢𝐚𝐧, who lives in the USA. Together, they will present Armenian songs infused with a flavor of flamenco.
🕙 120 min
🎟️ Free entry
Coproduction: Zavod Sploh, Better Live, City of Women & Defonija;
supported by Creative Europe EU, part of the Better Live project, Ministry of Culture RS, Municipality of Ljubljana.
![Mračenje ali umetnost utišanja žensk]()
by #vednoaktualno | Okt 5, 2025
𝐏𝐨𝐣𝐞𝐦, 𝐤𝐢 𝐣𝐞 𝐩𝐫𝐯𝐨𝐭𝐧𝐨 𝐨𝐦𝐨𝐠𝐨𝐜̌𝐢𝐥 𝐫𝐚𝐳𝐮𝐦𝐞𝐯𝐚𝐧𝐣𝐞, 𝐤𝐚𝐤𝐨 𝐬𝐨 𝐛𝐢𝐥𝐞 𝐳̌𝐞𝐧𝐬𝐤𝐞 𝐮𝐭𝐢𝐬̌𝐚𝐧𝐞, 𝐣𝐞 𝐩𝐨𝐬𝐭𝐚𝐥 𝐭𝐮𝐝𝐢 𝐧𝐞𝐯𝐚𝐫𝐧𝐨 𝐩𝐨𝐥𝐢𝐭𝐢𝐜̌𝐧𝐨 𝐨𝐫𝐨𝐳̌𝐣𝐞.
Vabljene_ na pogovor in predstavitev filozofskega eseja 𝐆𝐚𝐬𝐥𝐢𝐠𝐡𝐭𝐢𝐧𝐠 𝐚𝐥𝐢 𝐮𝐦𝐞𝐭𝐧𝐨𝐬𝐭 𝐮𝐭𝐢𝐬̌𝐚𝐧𝐣𝐚 𝐳̌𝐞𝐧𝐬𝐤 (naslov izvirnika: Le gaslighting ou l’art de faire taire les femmes) francoske pisateljice, filozofinje, prevajalke in filmske kritičarke Hélène Frappat!
Dogodek bo potekal v soboto, 11. oktobra ob 18ih v Atriju ZRC.
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Pojem »gaslighting« prvotno označuje zakonsko razmerje, ki temelji na manipulaciji ženske s strani njenega moža. Postal je ključna beseda ameriške psihologije, nato kritično orodje feminizma, pred kratkim pa je začel označevati vrsto lažnivega političnega jezika in nasilja, ki iz njega izhaja.
Da bi ga prepoznali, je najprej potrebno opozoriti na zlorabe, ki jih trpijo žrtve, najpogosteje ženske, ter na proces, ki se izvaja, da se zamegli žrtvin um – »gaslighter« je namreč mojster v umetnosti obračanja vlog. Nato je potrebno pojasniti, kako se postopoma podkopavajo temelji realnosti, celo resnice. Francoska intelektualka Hélène Frappat podaja filozofsko definicijo te besede.
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S Hélène Frappat se bo pogovarjala Anja Banko.
🕙 90 min
🌍 v angleščini
🎟️ Vstop prost
Produkcija: Francoski inštitut v Sloveniji, ZRC SAZU, Mesto žensk;
Podpora: Mestna občina Ljubljana.
ENG
𝐀 𝐜𝐨𝐧𝐜𝐞𝐩𝐭 𝐭𝐡𝐚𝐭 𝐢𝐧𝐢𝐭𝐢𝐚𝐥𝐥𝐲 𝐞𝐧𝐚𝐛𝐥𝐞𝐝 𝐮𝐬 𝐭𝐨 𝐮𝐧𝐝𝐞𝐫𝐬𝐭𝐚𝐧𝐝 𝐡𝐨𝐰 𝐰𝐨𝐦𝐞𝐧 𝐰𝐞𝐫𝐞 𝐬𝐢𝐥𝐞𝐧𝐜𝐞𝐝 𝐡𝐚𝐬 𝐚𝐥𝐬𝐨 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚 𝐝𝐚𝐧𝐠𝐞𝐫𝐨𝐮𝐬 𝐩𝐨𝐥𝐢𝐭𝐢𝐜𝐚𝐥 𝐰𝐞𝐚𝐩𝐨𝐧.
We invite you to a talk and a presentation of a philosophical essay, 𝐆𝐚𝐬𝐥𝐢𝐠𝐡𝐭𝐢𝐧𝐠 𝐨𝐫 𝐭𝐡𝐞 𝐀𝐫𝐭 𝐨𝐟 𝐒𝐢𝐥𝐞𝐧𝐜𝐢𝐧𝐠 𝐖𝐨𝐦𝐞𝐧 (Le gaslighting ou l’art de faire taire les femmes) by a French novelist, philosopher, translator, and film critic Hélène Frappat!
The event will happen on Saturday, 11th of October at 6pm in Atrij ZRC.
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The term gaslighting originally described a marital relationship based on the manipulation of a woman by her husband. It later became a key concept in American psychology, then a critical tool of feminism, and more recently it has come to denote a form of deceitful political language and the violence that stems from it.
To recognize it, one must first point to the abuses endured by the victims—most often women—and the processes used to cloud their minds, since the gaslighter is a master in the art of role reversal. It is then necessary to explain how the very foundations of reality, even of truth itself, are gradually undermined. French intellectual Hélène Frappat offers a philosophical definition of the term.
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Hélène Frappat will be in conversation with Anja Banko.
🕙 90 min
🌍 in English
🎟️ Free entry
Production: French Institute in Slovenia, ZRC SAZU, City of Women.
Support: Municipality of Ljubljana.
