by #vednoaktualno | Okt 5, 2025
𝐌𝐞𝐬𝐭𝐨 𝐳𝐚𝐛𝐚𝐯𝐞, 𝐚𝐫𝐭𝐞𝐟𝐚𝐤𝐭𝐨𝐯, 𝐠𝐥𝐚𝐬𝐛𝐞 & 𝐳̌𝐞𝐧𝐬𝐤!
Prisrčno vabljene_ na gala dogodek Mesta žensk, ki bo v četrtek, 9. oktobra ob 17ih v Galeriji Škuc. ✨✨✨
🟣 Najprej nas bodo nekdanje programske vodje Mesta žensk, 𝐁𝐞𝐭𝐭𝐢𝐧𝐚 𝐊𝐧𝐚𝐮𝐩, 𝐃𝐮𝐧𝐣𝐚 𝐊𝐮𝐤𝐨𝐯𝐞𝐜, 𝐊𝐚𝐭𝐣𝐚 𝐊𝐨𝐛𝐨𝐥𝐭, 𝐊𝐨𝐞𝐧 𝐕𝐚𝐧 𝐃𝐚𝐞𝐥𝐞 𝐢𝐧 𝐓𝐞𝐣𝐚 𝐑𝐞𝐛𝐚 popeljale_ po razstavi 𝑇𝑟𝑖𝑑𝑒𝑠𝑒𝑡+ 𝑙𝑒𝑡 𝑀𝑒𝑠𝑡𝑎 𝑧̌𝑒𝑛𝑠𝑘 ter osvetlile zgodovino ustvarjanja festivalskega programa, kako so sledile_ spremembam v feministični misli in umetnosti ter udejanjale_ feministično kuriranje.
🟣 Po vodstvu bo sledila 𝐝𝐫𝐚𝐳̌𝐛𝐚 𝐚𝐫𝐭𝐞𝐟𝐚𝐤𝐭𝐨𝐯 𝐢𝐧 𝐩𝐫𝐞𝐭𝐞𝐤𝐥𝐞𝐠𝐚 𝐦𝐞𝐫𝐜𝐡𝐚 𝐌𝐞𝐬𝐭𝐚 𝐳̌𝐞𝐧𝐬𝐤, ki jo bosta vodila 𝑠𝑖𝑛𝑒 in 𝑘𝑒𝑠̌ 𝑝𝑖𝑐̌𝑘𝑎 (Nataša Živković in Lana Zdravković). Z nakupom zabavnih in še vedno uporabnih predmetov, ki so bili pomembni gradniki predstav, razstav in ostalih festivalskih dogodkov, boste predmetom vdahnile_ nova življenja, s svojim finančnim prispevkom pa omogočile_, da naše društvo še naprej širi misel o pomembnosti žensk* in spolno nekonformnih oseb v kulturi.
🟣 Skupaj z vami bo dražba postala enkraten participativni dogodek, ki se bo kasneje prelevil v zabavo z glasbeno spremljavo 𝐷𝐽 𝑆𝑒𝑠𝑡𝑟𝑒, pop-up šank pa vam bo stregel specialitete izpod rok ekipe Mesta žensk. 🪩
🎟️ Vstop prost
Produkcija: Galerija Škuc, Mesto žensk;
podpora: Mestna občina Ljubljana, Ministrstvo za kulturo RS.
ENG
We invite you to the gala event by City of Women that will happen on Thursday, 9th of October at 5pm at Škuc Gallery. ✨✨✨
🟣 First, the former program directors of the City of Women 𝐁𝐞𝐭𝐭𝐢𝐧𝐚 𝐊𝐧𝐚𝐮𝐩, 𝐃𝐮𝐧𝐣𝐚 𝐊𝐮𝐤𝐨𝐯𝐞𝐜, 𝐊𝐚𝐭𝐣𝐚 𝐊𝐨𝐛𝐨𝐥𝐭, 𝐊𝐨𝐞𝐧 𝐕𝐚𝐧 𝐃𝐚𝐞𝐥𝐞 and 𝐓𝐞𝐣𝐚 𝐑𝐞𝐛𝐚 will guide us through the exhibition 𝑇ℎ𝑖𝑟𝑡𝑦+ 𝑌𝑒𝑎𝑟𝑠 𝑜𝑓 𝑡ℎ𝑒 𝐶𝑖𝑡𝑦 𝑜𝑓 𝑊𝑜𝑚𝑒𝑛 and enlight us how they shaped the festival program, how they responded to changes in feminist thought and art, and how they practiced feminist curating.
🟣 After the guided tour, 𝐚𝐧 𝐚𝐮𝐜𝐭𝐢𝐨𝐧 𝐨𝐟 𝐂𝐢𝐭𝐲 𝐨𝐟 𝐖𝐨𝐦𝐞𝐧 𝐚𝐫𝐭𝐢𝐟𝐚𝐜𝐭𝐬 𝐚𝐧𝐝 𝐩𝐚𝐬𝐭 𝐦𝐞𝐫𝐜𝐡𝐚𝐧𝐝𝐢𝐬𝐞 will follow, led by 𝑠𝑜𝑛𝑛𝑦 and 𝑘𝑒𝑠̌ 𝑝𝑖𝑐̌𝑘𝑎 (Nataša Živković and Lana Zdravković). By acquiring fun and still useful items that were important building blocks of performances, exhibitions, and other festival events, you will give these objects new lives, while your financial contribution will allow our association to keep spreading the message about the importance of women* and gender-nonconforming people in culture.
🟣 Together with you, the auction will become a unique participatory event, which will later turn into a party with music provided by 𝐷𝐽 𝑆𝑒𝑠𝑡𝑟𝑎, while the pop-up bar will serve you specialties prepared by the team from City of Women. 🪩
🎟️ Free entry
Production: Škuc Gallery, City of Women;
Support: Ministry of Culture RS, Municipality of Ljubljana.
by #vednoaktualno | Okt 5, 2025
𝐊𝐝𝐚𝐣 𝐢𝐧 𝐤𝐚𝐤𝐨 𝐥𝐚𝐡𝐤𝐨 𝐭𝐞𝐥𝐨 𝐩𝐨𝐬𝐭𝐚𝐧𝐞 𝐬𝐮𝐛𝐣𝐞𝐤𝐭, 𝐧𝐨𝐬𝐢𝐥𝐞𝐜 𝐢𝐳𝐤𝐮𝐬̌𝐧𝐣𝐞, 𝐢𝐧 𝐧𝐞 𝐥𝐞 𝐩𝐨𝐝𝐨𝐛𝐚 𝐳𝐚 𝐝𝐫𝐮𝐠𝐞, 𝐤𝐝𝐚𝐣 𝐥𝐚𝐡𝐤𝐨 𝐯 𝐧𝐣𝐞𝐦 𝐳̌𝐢𝐯𝐢𝐦𝐨, 𝐧𝐞 𝐝𝐚 𝐛𝐢 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐢𝐫𝐚𝐥𝐢?
Vabljene_ na plesno predstavo ČIGAVE OČI? plesalke, koreografinje in plesne pedagoginje Patricije Crnkovič!
ČIGAVE OČI? raziskuje ponotranjen moški pogled – pogled, ki telo seksualizira, objektificira, nadzira.
🟣🔸🟣🔸🟣🔸🟣🔸
Predstava se skozi feministično optiko in radikalno utelešenost upira instrumentalizaciji telesa. Plešoče telo je pogojeno z zunanjimi koreografskimi zahtevami, izgublja avtonomnost in (p)ostaja kapitalistični stroj reproduciranja, zadovoljevanja ter nenehnega izboljševanja in napredka. Sila. Slina. Pekoča struktura. Želja. Vsa že doživeta plesna zgodovina. Forme. Linije. Gnanje. Več in bolje. Samokontrola. Kdo me gleda? Kako gledam samo sebe?
Ples postane prostor osvobajanja, telesnost prostor védenja, gibanje dejanje upora. ČIGAVE OČI? ne prevprašuje le pogleda, temveč možnost ponovnega utelešenja.
🟣🔸🟣🔸🟣🔸🟣🔸
🗓️ 7. oktober (20:00), 8. oktober (18:00)
🕙 40 min
🌍 besedilo zvočne podlage je v slovenščini
🎟️ 10 €
Več —> https://mestozensk.org/sl/festival/2025/dogodek/119789
Zasnova in izvedba: Patricija Crnkovič;
koprodukcija: Center kulture Španski borci, Javni zavod za kulturo Kamnik in Libero Dance Center;
projekt sofinancirata Ministrstvo za kulturo RS in Občina Kamnik;
organizacija: Mesto žensk.
ENG
𝐖𝐡𝐞𝐧 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐡𝐞 𝐛𝐨𝐝𝐲 𝐜𝐚𝐧 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚 𝐬𝐮𝐛𝐣𝐞𝐜𝐭, 𝐚 𝐛𝐞𝐚𝐫𝐞𝐫 𝐨𝐟 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞, 𝐚𝐧𝐝 𝐧𝐨𝐭 𝐦𝐞𝐫𝐞𝐥𝐲 𝐚𝐧 𝐢𝐦𝐚𝐠𝐞 𝐟𝐨𝐫 𝐨𝐭𝐡𝐞𝐫𝐬, 𝐰𝐡𝐞𝐧 𝐜𝐚𝐧 𝐰𝐞 𝐥𝐢𝐯𝐞 𝐢𝐧 𝐢𝐭 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐢𝐧𝐠?
Warmly invited to the dance performance WHOSE EYES? by dancer, choreographer, and dance educator Patricija Crnkovič!
WHOSE EYES? explores the internalized male gaze – a gaze that sexualizes, objectifies, and controls the body.
🟣🔸🟣🔸🟣🔸🟣🔸
Through a feminist lens and radical embodiment, the performance resists the instrumentalization of the body. The dancing body is conditioned by external choreographic demands, losing autonomy and becoming a capitalist machine of reproduction, gratification, and constant improvement, progress. Force. Saliva. A burning structure. Desire. All the dance history already lived. Forms. Lines. Drive. More and better. Self-control. Who is watching me? How do I watch myself?
Dance becomes a space of liberation, corporeality a space of knowing, and movement an act of resistance. WHOSE EYES? questions not only the gaze but the possibility of re-embodiment
🟣🔸🟣🔸🟣🔸🟣🔸
🗓️ 7 October (8pm), 8 October (6pm)
🕙 40 min
🌍 text of the sound background is in Slovene
🎟️ 10 €
The show on the 7th of October will be followed by The Audience Assembly led by Jaka Bombač.
More —> https://mestozensk.org/en/festival/2025/dogodek/119789
Concept and execution: Patricija Crnkovič;
Coproduction: Španski borci Cultural Centre, Javni zavod za kulturo Kamnik and Libero Dance Center;
Cofunded by: Ministry of Culture RS and Municipality of Kamnik;
Organisation: City of Women.
by #vednoaktualno | Okt 5, 2025
𝐊𝐝𝐚𝐣 𝐢𝐧 𝐤𝐚𝐤𝐨 𝐥𝐚𝐡𝐤𝐨 𝐭𝐞𝐥𝐨 𝐩𝐨𝐬𝐭𝐚𝐧𝐞 𝐬𝐮𝐛𝐣𝐞𝐤𝐭, 𝐧𝐨𝐬𝐢𝐥𝐞𝐜 𝐢𝐳𝐤𝐮𝐬̌𝐧𝐣𝐞, 𝐢𝐧 𝐧𝐞 𝐥𝐞 𝐩𝐨𝐝𝐨𝐛𝐚 𝐳𝐚 𝐝𝐫𝐮𝐠𝐞, 𝐤𝐝𝐚𝐣 𝐥𝐚𝐡𝐤𝐨 𝐯 𝐧𝐣𝐞𝐦 𝐳̌𝐢𝐯𝐢𝐦𝐨, 𝐧𝐞 𝐝𝐚 𝐛𝐢 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐢𝐫𝐚𝐥𝐢?
Vabljene_ na plesno predstavo ČIGAVE OČI? plesalke, koreografinje in plesne pedagoginje Patricije Crnkovič!
ČIGAVE OČI? raziskuje ponotranjen moški pogled – pogled, ki telo seksualizira, objektificira, nadzira.
🟣🔸🟣🔸🟣🔸🟣🔸
Predstava se skozi feministično optiko in radikalno utelešenost upira instrumentalizaciji telesa. Plešoče telo je pogojeno z zunanjimi koreografskimi zahtevami, izgublja avtonomnost in (p)ostaja kapitalistični stroj reproduciranja, zadovoljevanja ter nenehnega izboljševanja in napredka. Sila. Slina. Pekoča struktura. Želja. Vsa že doživeta plesna zgodovina. Forme. Linije. Gnanje. Več in bolje. Samokontrola. Kdo me gleda? Kako gledam samo sebe?
Ples postane prostor osvobajanja, telesnost prostor védenja, gibanje dejanje upora. ČIGAVE OČI? ne prevprašuje le pogleda, temveč možnost ponovnega utelešenja.
🟣🔸🟣🔸🟣🔸🟣🔸
🗓️ 7. oktober (20:00), 8. oktober (18:00)
🕙 40 min
🌍 besedilo zvočne podlage je v slovenščini
🎟️ 10 €
Več —> https://mestozensk.org/sl/festival/2025/dogodek/119789
Zasnova in izvedba: Patricija Crnkovič;
koprodukcija: Center kulture Španski borci, Javni zavod za kulturo Kamnik in Libero Dance Center;
projekt sofinancirata Ministrstvo za kulturo RS in Občina Kamnik;
organizacija: Mesto žensk.
ENG
𝐖𝐡𝐞𝐧 𝐚𝐧𝐝 𝐡𝐨𝐰 𝐭𝐡𝐞 𝐛𝐨𝐝𝐲 𝐜𝐚𝐧 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚 𝐬𝐮𝐛𝐣𝐞𝐜𝐭, 𝐚 𝐛𝐞𝐚𝐫𝐞𝐫 𝐨𝐟 𝐞𝐱𝐩𝐞𝐫𝐢𝐞𝐧𝐜𝐞, 𝐚𝐧𝐝 𝐧𝐨𝐭 𝐦𝐞𝐫𝐞𝐥𝐲 𝐚𝐧 𝐢𝐦𝐚𝐠𝐞 𝐟𝐨𝐫 𝐨𝐭𝐡𝐞𝐫𝐬, 𝐰𝐡𝐞𝐧 𝐜𝐚𝐧 𝐰𝐞 𝐥𝐢𝐯𝐞 𝐢𝐧 𝐢𝐭 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐩𝐞𝐫𝐟𝐨𝐫𝐦𝐢𝐧𝐠?
Warmly invited to the dance performance WHOSE EYES? by dancer, choreographer, and dance educator Patricija Crnkovič!
WHOSE EYES? explores the internalized male gaze – a gaze that sexualizes, objectifies, and controls the body.
🟣🔸🟣🔸🟣🔸🟣🔸
Through a feminist lens and radical embodiment, the performance resists the instrumentalization of the body. The dancing body is conditioned by external choreographic demands, losing autonomy and becoming a capitalist machine of reproduction, gratification, and constant improvement, progress. Force. Saliva. A burning structure. Desire. All the dance history already lived. Forms. Lines. Drive. More and better. Self-control. Who is watching me? How do I watch myself?
Dance becomes a space of liberation, corporeality a space of knowing, and movement an act of resistance. WHOSE EYES? questions not only the gaze but the possibility of re-embodiment
🟣🔸🟣🔸🟣🔸🟣🔸
🗓️ 7 October (8pm), 8 October (6pm)
🕙 40 min
🌍 text of the sound background is in Slovene
🎟️ 10 €
The show on the 7th of October will be followed by The Audience Assembly led by Jaka Bombač.
More —> https://mestozensk.org/en/festival/2025/dogodek/119789
Concept and execution: Patricija Crnkovič;
Coproduction: Španski borci Cultural Centre, Javni zavod za kulturo Kamnik and Libero Dance Center;
Cofunded by: Ministry of Culture RS and Municipality of Kamnik;
Organisation: City of Women.
by #vednoaktualno | Okt 5, 2025
»𝐒𝐞𝐦 𝐳̌𝐢𝐯𝐥𝐣𝐞𝐧𝐣𝐞, 𝐤𝐢 𝐡𝐨𝐜̌𝐞 𝐳̌𝐢𝐯𝐞𝐭𝐢, 𝐬𝐫𝐞𝐝𝐢 𝐳̌𝐢𝐯𝐥𝐣𝐞𝐧𝐣𝐚, 𝐤𝐢 𝐡𝐨𝐜̌𝐞 𝐳̌𝐢𝐯𝐞𝐭𝐢.« (𝐒𝐜𝐡𝐰𝐞𝐢𝐭𝐳𝐞𝐫 𝟏𝟗𝟗𝟏, 𝟏𝟐𝟎𝟑)
Toplo vabljene_ na performans Življenjski prostor, četri del cikla Extima vizualne umetnice Olje Grubič!
Cikel Extima drsi skozi preizpraševanje, kaj danes pomeni biti živo bitje v živem svetu. Sprašuje se, ali v generičnih projekcijah “boljše” prihodnosti, “boljšega” življenja, “boljšega” človeka, “boljše” družbe in v našem intimnem dojemanju življenja še obstaja prostor za živo bitje v živem svetu.
🟣🔸🟣🔸🟣🔸🟣🔸
Življenjski prostor je osnovni fizični pogoj za življenje, ki ga z onesnaževanjem, ekstenzivnim rudarjenjem, urbanizacijo kmetijske zemlje, deforestacijo, kmetijsko industrijo monokultur itd. vse bolj uničujemo. Po drugi strani nam življenjski prostor vse bolj krčijo tudi podnebne spremembe, na planetu je vse več sušnih predelov, voda postaja tržno blago za kapitalske dobičke, ljudje migrirajo v življenjsko bolj znosne predele planeta in tako nastajajo megapolisi z ogromno zgostitvijo prebivalstva ter veliko socialno revščino… Z nebrzdanim razvojem si pospešeno uničujemo življenski prostor. 𝐂̌𝐥𝐨𝐯𝐞𝐤 𝐣𝐞 𝐩𝐨𝐬𝐭𝐚𝐥 𝐢𝐧𝐯𝐚𝐳𝐢𝐯𝐧𝐨 𝐛𝐢𝐭𝐣𝐞, 𝐤𝐢 𝐨𝐠𝐫𝐨𝐳̌𝐚 𝐬𝐚𝐦𝐞𝐠𝐚 𝐬𝐞𝐛𝐞.
🟣🔸🟣🔸🟣🔸🟣🔸
🕙 50 min
🌍 zvočni posnetek v predstavi bo v slovenskem, angleškem in hrvaškem jeziku
🎟️ 12/8* €
𝐏𝐫𝐞𝐝𝐬𝐭𝐚𝐯𝐢 𝟕. 𝐨𝐤𝐭𝐨𝐛𝐫𝐚 𝐛𝐨 𝐬𝐥𝐞𝐝𝐢𝐥 𝐙𝐛𝐨𝐫 𝐳𝐚 𝐩𝐮𝐛𝐥𝐢𝐤𝐨, 𝐤𝐢 𝐠𝐚 𝐛𝐨 𝐯𝐨𝐝𝐢𝐥 𝐉𝐚𝐤𝐚 𝐁𝐨𝐦𝐛𝐚𝐜̌.
Več —> https://mestozensk.org/sl/festival/2025/dogodek/119829
Zamisel in konceptualizacija prostora: Olja Grubić;
izvedba: Anita Wach, Kristina Aleksova, Loup Abramovici, Olja Grubić;
producentka: Špela Trošt;
produkcija: Via Negativa;
v koprodukciji z Mestom žensk;
v sodelovanju z zavodom Bunker in Staro mestno elektrarno –Elektro Ljubljana;
podpirata Ministrstvo za kulturo RS in Mestna občina Ljubljana.
ENG
“𝐈 𝐚𝐦 𝐥𝐢𝐟𝐞 𝐭𝐡𝐚𝐭 𝐰𝐚𝐧𝐭𝐬 𝐭𝐨 𝐥𝐢𝐯𝐞, 𝐢𝐧 𝐭𝐡𝐞 𝐦𝐢𝐝𝐬𝐭 𝐨𝐟 𝐥𝐢𝐟𝐞 𝐭𝐡𝐚𝐭 𝐰𝐚𝐧𝐭𝐬 𝐭𝐨 𝐥𝐢𝐯𝐞.” (𝐒𝐜𝐡𝐰𝐞𝐢𝐭𝐳𝐞𝐫 𝟏𝟗𝟗𝟏, 𝟏𝟐𝟎𝟑)
Warmly invited to the performance Living Space, the fourth part of the Extima cycle by the visual artist Olja Grubič!
Extima cycle explores what it means today to be a living being in a living world. It asks whether, in the generic projections of a “better” future, a “better” life, a “better” human, a “better” society—and in our intimate experience of life—there is still space for a living being in a living world.
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Living space is a fundamental physical condition for life, which we are increasingly destroying through pollution, extensive mining, urbanization of agricultural land, deforestation, the industrialization of agriculture with monocultures, and so on. On the other hand, our living space is also being increasingly reduced by climate change—more and more areas on the planet are becoming arid, water is turning into a commodity for capitalist profit, people are migrating to parts of the planet that are more livable, and megapolises are forming with huge population densities and significant social poverty… With unchecked development, we are rapidly destroying our living space. 𝐇𝐮𝐦𝐚𝐧𝐢𝐭𝐲 𝐡𝐚𝐬 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚𝐧 𝐢𝐧𝐯𝐚𝐬𝐢𝐯𝐞 𝐬𝐩𝐞𝐜𝐢𝐞𝐬 𝐭𝐡𝐚𝐭 𝐭𝐡𝐫𝐞𝐚𝐭𝐞𝐧𝐬 𝐢𝐭𝐬 𝐨𝐰𝐧 𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐜𝐞.
🟣🔸🟣🔸🟣🔸🟣🔸
🕙 50 min
🌍 sound recordings will be in Slovene, English, Croatian languages
🎟️ 12/8* €
𝐓𝐡𝐞 𝐬𝐡𝐨𝐰 𝐨𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐨𝐟 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐟𝐨𝐥𝐥𝐨𝐰𝐞𝐝 𝐛𝐲 𝐓𝐡𝐞 𝐀𝐮𝐝𝐢𝐞𝐧𝐜𝐞 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐲 𝐥𝐞𝐝 𝐛𝐲 𝐉𝐚𝐤𝐚 𝐁𝐨𝐦𝐛𝐚𝐜̌.
More —> https://mestozensk.org/en/festival/2025/dogodek/119829
Concept and space design: Olja Grubić;
Performance by: Anita Wach, Kristina Aleksova, Loup Abramovici, Olja Grubić;
Producer: Špela Trošt;
Production: Via Negativa;
Coproducer: City of Women;
In collaboration with Bunker and Old Power Station – Elektro Ljubljana;
Supported by: Ministry of Culture and Municipality of Ljubljana.
![Olja Grubić: Extima#4: Življenjski prostor]()
by #vednoaktualno | Okt 5, 2025
»𝐒𝐞𝐦 𝐳̌𝐢𝐯𝐥𝐣𝐞𝐧𝐣𝐞, 𝐤𝐢 𝐡𝐨𝐜̌𝐞 𝐳̌𝐢𝐯𝐞𝐭𝐢, 𝐬𝐫𝐞𝐝𝐢 𝐳̌𝐢𝐯𝐥𝐣𝐞𝐧𝐣𝐚, 𝐤𝐢 𝐡𝐨𝐜̌𝐞 𝐳̌𝐢𝐯𝐞𝐭𝐢.« (𝐒𝐜𝐡𝐰𝐞𝐢𝐭𝐳𝐞𝐫 𝟏𝟗𝟗𝟏, 𝟏𝟐𝟎𝟑)
Toplo vabljene_ na performans Življenjski prostor, četri del cikla Extima vizualne umetnice Olje Grubič!
Cikel Extima drsi skozi preizpraševanje, kaj danes pomeni biti živo bitje v živem svetu. Sprašuje se, ali v generičnih projekcijah “boljše” prihodnosti, “boljšega” življenja, “boljšega” človeka, “boljše” družbe in v našem intimnem dojemanju življenja še obstaja prostor za živo bitje v živem svetu.
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Življenjski prostor je osnovni fizični pogoj za življenje, ki ga z onesnaževanjem, ekstenzivnim rudarjenjem, urbanizacijo kmetijske zemlje, deforestacijo, kmetijsko industrijo monokultur itd. vse bolj uničujemo. Po drugi strani nam življenjski prostor vse bolj krčijo tudi podnebne spremembe, na planetu je vse več sušnih predelov, voda postaja tržno blago za kapitalske dobičke, ljudje migrirajo v življenjsko bolj znosne predele planeta in tako nastajajo megapolisi z ogromno zgostitvijo prebivalstva ter veliko socialno revščino… Z nebrzdanim razvojem si pospešeno uničujemo življenski prostor. 𝐂̌𝐥𝐨𝐯𝐞𝐤 𝐣𝐞 𝐩𝐨𝐬𝐭𝐚𝐥 𝐢𝐧𝐯𝐚𝐳𝐢𝐯𝐧𝐨 𝐛𝐢𝐭𝐣𝐞, 𝐤𝐢 𝐨𝐠𝐫𝐨𝐳̌𝐚 𝐬𝐚𝐦𝐞𝐠𝐚 𝐬𝐞𝐛𝐞.
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🕙 50 min
🌍 zvočni posnetek v predstavi bo v slovenskem, angleškem in hrvaškem jeziku
🎟️ 12/8* €
𝐏𝐫𝐞𝐝𝐬𝐭𝐚𝐯𝐢 𝟕. 𝐨𝐤𝐭𝐨𝐛𝐫𝐚 𝐛𝐨 𝐬𝐥𝐞𝐝𝐢𝐥 𝐙𝐛𝐨𝐫 𝐳𝐚 𝐩𝐮𝐛𝐥𝐢𝐤𝐨, 𝐤𝐢 𝐠𝐚 𝐛𝐨 𝐯𝐨𝐝𝐢𝐥 𝐉𝐚𝐤𝐚 𝐁𝐨𝐦𝐛𝐚𝐜̌.
Več —> https://mestozensk.org/sl/festival/2025/dogodek/119829
Zamisel in konceptualizacija prostora: Olja Grubić;
izvedba: Anita Wach, Kristina Aleksova, Loup Abramovici, Olja Grubić;
producentka: Špela Trošt;
produkcija: Via Negativa;
v koprodukciji z Mestom žensk;
v sodelovanju z zavodom Bunker in Staro mestno elektrarno –Elektro Ljubljana;
podpirata Ministrstvo za kulturo RS in Mestna občina Ljubljana.
ENG
“𝐈 𝐚𝐦 𝐥𝐢𝐟𝐞 𝐭𝐡𝐚𝐭 𝐰𝐚𝐧𝐭𝐬 𝐭𝐨 𝐥𝐢𝐯𝐞, 𝐢𝐧 𝐭𝐡𝐞 𝐦𝐢𝐝𝐬𝐭 𝐨𝐟 𝐥𝐢𝐟𝐞 𝐭𝐡𝐚𝐭 𝐰𝐚𝐧𝐭𝐬 𝐭𝐨 𝐥𝐢𝐯𝐞.” (𝐒𝐜𝐡𝐰𝐞𝐢𝐭𝐳𝐞𝐫 𝟏𝟗𝟗𝟏, 𝟏𝟐𝟎𝟑)
Warmly invited to the performance Living Space, the fourth part of the Extima cycle by the visual artist Olja Grubič!
Extima cycle explores what it means today to be a living being in a living world. It asks whether, in the generic projections of a “better” future, a “better” life, a “better” human, a “better” society—and in our intimate experience of life—there is still space for a living being in a living world.
🟣🔸🟣🔸🟣🔸🟣🔸
Living space is a fundamental physical condition for life, which we are increasingly destroying through pollution, extensive mining, urbanization of agricultural land, deforestation, the industrialization of agriculture with monocultures, and so on. On the other hand, our living space is also being increasingly reduced by climate change—more and more areas on the planet are becoming arid, water is turning into a commodity for capitalist profit, people are migrating to parts of the planet that are more livable, and megapolises are forming with huge population densities and significant social poverty… With unchecked development, we are rapidly destroying our living space. 𝐇𝐮𝐦𝐚𝐧𝐢𝐭𝐲 𝐡𝐚𝐬 𝐛𝐞𝐜𝐨𝐦𝐞 𝐚𝐧 𝐢𝐧𝐯𝐚𝐬𝐢𝐯𝐞 𝐬𝐩𝐞𝐜𝐢𝐞𝐬 𝐭𝐡𝐚𝐭 𝐭𝐡𝐫𝐞𝐚𝐭𝐞𝐧𝐬 𝐢𝐭𝐬 𝐨𝐰𝐧 𝐞𝐱𝐢𝐬𝐭𝐞𝐧𝐜𝐞.
🟣🔸🟣🔸🟣🔸🟣🔸
🕙 50 min
🌍 sound recordings will be in Slovene, English, Croatian languages
🎟️ 12/8* €
𝐓𝐡𝐞 𝐬𝐡𝐨𝐰 𝐨𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐨𝐟 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐟𝐨𝐥𝐥𝐨𝐰𝐞𝐝 𝐛𝐲 𝐓𝐡𝐞 𝐀𝐮𝐝𝐢𝐞𝐧𝐜𝐞 𝐀𝐬𝐬𝐞𝐦𝐛𝐥𝐲 𝐥𝐞𝐝 𝐛𝐲 𝐉𝐚𝐤𝐚 𝐁𝐨𝐦𝐛𝐚𝐜̌.
More —> https://mestozensk.org/en/festival/2025/dogodek/119829
Concept and space design: Olja Grubić;
Performance by: Anita Wach, Kristina Aleksova, Loup Abramovici, Olja Grubić;
Producer: Špela Trošt;
Production: Via Negativa;
Coproducer: City of Women;
In collaboration with Bunker and Old Power Station – Elektro Ljubljana;
Supported by: Ministry of Culture and Municipality of Ljubljana.
