by #vednoaktualno | Okt 29, 2025
Kathy Acker DON KIHOT; KI JE BILA SEN
Režiserka: Živa Bizovičar
𝐂̌𝐞 𝐣𝐞 𝐂𝐞𝐫𝐯𝐚𝐧𝐭𝐞𝐬𝐨𝐯 𝐃𝐨𝐧 𝐊𝐢𝐡𝐨𝐭 𝐦𝐨𝐬̌𝐤𝐢, 𝐤𝐢 𝐳𝐚𝐫𝐚𝐝𝐢 𝐛𝐫𝐚𝐧𝐣𝐚 𝐯𝐢𝐭𝐞𝐬̌𝐤𝐢𝐡 𝐫𝐨𝐦𝐚𝐧𝐨𝐯 𝐳𝐛𝐥𝐚𝐳𝐧𝐢 𝐢𝐧 𝐬𝐞 𝐨𝐝𝐥𝐨𝐜̌𝐢, 𝐝𝐚 𝐛𝐨 𝐩𝐨𝐬𝐭𝐚𝐥 𝐯𝐢𝐭𝐞𝐳, 𝐨𝐛𝐮𝐝𝐢𝐥 𝐯𝐢𝐭𝐞𝐬̌𝐭𝐯𝐨 𝐢𝐧 𝐬𝐥𝐮𝐳̌𝐢𝐥 𝐬𝐯𝐨𝐣𝐞𝐦𝐮 𝐧𝐚𝐫𝐨𝐝𝐮, 𝐣𝐞 𝐃𝐨𝐧 𝐊𝐢𝐡𝐨𝐭𝐚 𝐩𝐫𝐢 𝐀𝐜𝐤𝐞𝐫 𝐬𝐨𝐝𝐨𝐛𝐧𝐚 𝐳̌𝐞𝐧𝐬𝐤𝐚, 𝐤𝐢 𝐧𝐚𝐫𝐞𝐝𝐢 𝐬𝐩𝐥𝐚𝐯, 𝐬𝐚𝐣 𝐦𝐨𝐫𝐚 – 𝐩𝐫𝐞𝐝𝐞𝐧 𝐛𝐢 𝐯 𝐬𝐯𝐞𝐭 𝐩𝐨𝐬𝐥𝐚𝐥𝐚 𝐧𝐞𝐝𝐨𝐥𝐳̌𝐧𝐞𝐠𝐚 𝐨𝐭𝐫𝐨𝐤𝐚 – 𝐧𝐚𝐣𝐩𝐫𝐞𝐣 𝐧𝐚𝐣𝐭𝐢 𝐥𝐣𝐮𝐛𝐞𝐳𝐞𝐧.
»Z romanom Don Kihot, ki je bila sen (1986) Kathy Acker apropriira Cervantesov izvirnik, da bi z novim besedilom razsula svet, v katerem živi… Uprizoritev montažno sledi metodi cut-up, ki je tudi metoda pisanja Acker. Obstoječe situacije iz romana tako razširja z referencami iz popkulture, politične scene in literarnega kanona ter s specifično narativno logiko sledi avtoričinemu biografskemu in avtofikcijskemu načinu pripovedi. Don Kihot se tako neprestano prepleta s Kathy Acker, njene prigode pa z avtoričino biografijo,« je zapisal prevajalec, avtor dramatizacije in dramaturg uprizoritve Nik Žnidaršič.
Koprodukcija z Mestom žensk
Igrajo: Darja Reichman, Živa Selan, Blaž Setnikar, Vesna Slapar in gostujoča igralca Gregor Zorc k. g., Nejc Cijan Garlatti k.g.
🕙 180 min z dvema odmoroma
Vstopnice: pgk.mojekarte.si
by #vednoaktualno | Okt 29, 2025
[For ENG scroll down]
Mala galerija Banke Slovenije v sodelovanju s Centrom za kulturo in umetnost iz Vroclava (Poljska), KUD-om Mreža in Društvom Mesto žensk vabi na razstavo Barbare Kozłowske (1940–2008), ene najpomembnejših avantgardnih umetnic na Poljskem.
Razstava Mesta za razmislek predstavlja prvo predstavitev dela Barbare Kozłowske v Sloveniji. Vsebuje izbor najpomembnejših del iz njenega privatnega arhiva, ki je še vedno shranjen v Vroclavu.
🔸🟣 𝐈𝐧𝐟𝐨𝐫𝐦𝐚𝐜𝐢𝐣𝐞 𝐨 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐢▶️ https://mestozensk.org/index.php/sl/festival/2025/dogodek/119792
🔸🟣𝗩𝘀𝘁𝗼𝗽𝗻𝗶𝗰𝗲▶️ www.mestozensk.org/sl/festival/2025/vstopnice
Kuratorka razstave: Marika Kuźmicz
Kuratorka poljskega programa performativne umetnosti: Agnieszka Chodysz-Foryś
Kuratorja slovenskega programa performativne umetnosti: Ana Grobler in Sebastian Krawczyk
Sodelavka pri programu: Iva Kovač, Hana Čeferin
Koordinacija: Marharyta Rubanenko, Adam Parol
Grafična identifikacija: @grupaprojektor
Organizator:
Center kulture in umetnosti v Vroclavu – Kulturni inštitut vlade
Spodnje Šlezije / www.okis.pl
Soorganizatorji:
Mala galerija Banke Slovenije / mgbs.si
Mesto žensk / www.cityofwomen.org
Kulturno umetniško društvo Mreža (KUD Mreža) / www.kudmreza.org
Fundacija Arton / www.fundacjaarton.pl
Partner: Veleposlaništvo Republike Poljske v Ljubljani, Slovenija
Projekt je sofinanciralo Ministrstvo za kulturo in nacionalno dediščino Republike Poljske iz Sklada za promocijo kulture in proračuna samouprave Spodnješlezijske regije.
Častno pokroviteljstvo: Marta Cienkowska – ministrica za kulturo in nacionalno dediščino, Łukasz Paprotny – začasni odpravnik poslov Republike Poljske v Republiki Sloveniji
🔸🟣 𝐏𝐫𝐨𝐠𝐫𝐚𝐦, 𝐬𝐩𝐫𝐞𝐦𝐥𝐣𝐞𝐯𝐚𝐥𝐧𝐢 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐢
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 11:00, Vodstvo po razstavi Mesta za razmislek
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 12:00, Anna Kalwajtys: Linija. Performans
𝟏𝟔.𝟏𝟎.𝟐𝟎𝟐𝟓, 18:00, Lučka Centa: ved’ma. Performans
𝟐𝟑.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Iva Suhadolnik Gregorin: Trak. Performans
𝟑𝟎.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Anita Wach: 68 zdravic za srce z napako. Performans
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Barbara Kozłowska je bila ena od pionirjev performativne umetnosti na Poljskem in predstavnica avantgarde v Vroclavu – takrat enem najživahnejših in najnaprednejših krajev v regiji. Čeprav je zaključila študij na Fakulteti za keramiko (z diplomo iz arhitekturnega slikarstva), je kmalu opustila tradicionalne medije in te zamenjala z bolj efemernimi dejavnostmi.
Barbara Kozłowska se je rodila v Tarnobrzegu (Poljska), kamor se je njena družina preselila po izbruhu druge svetovne vojne. Vojna je hudo zaznamovala njeno življenje. Leta 1940 je bil njen oče umorjen v koncentracijskem taborišču Dachau, kamor so zaprli tudi enega njenih bratov, ki je sodeloval pri opozicijskih dejavnostih. Umetnica težkega začetka svojega življenja ni nikoli pozabila. Tragedija se je nadaljevala tudi v povojnih letih, ko se je sama začela zavedati, kako lahko krut politični sistem uniči življenje posameznika. Na koncu se je uprla komunističnemu režimu – sistemu, ki je omejeval njeno svobodo prostega gibanja.
Barbara Kozłowska je potovanja enačila s svobodo To načelo je vplivalo na njeno celotno konceptualno dejavnost, kar se odraža v delu Mejna črta (1967–1990), ki je nastajalo več desetletij. Barbara Kozłowska je od leta 1967 označevala točke na zemljevidu sveta ter risala imaginarno črto, ki jo je nameravala potegniti čez ves svet in vse do Lune. Na ta način je premagovala formalne in politične težave, s katerimi se je spopadala v resničnem življenju. Da bi konceptu podarila konkretnejšo podobo, je obiskovala številne kraje, vključno z nekdanjo Jugoslavijo, kjer je iz peska oblikovala stožce. Svojo pot je nadaljevala proti plažam na različnih koncih sveta, kjer je drugega na drugega postavljala kamne ali preprosto dokumentirala svojo prisotnost.
Čeprav se je Barbara Kozłowska izrecno oddaljila od feminizma, njena dela sodijo med najbolj izrazite prispevke k poljski umetnosti. Odpirajo kritične poglede na spol in umetnost, ki dandanes ponujajo nove možnost interpretacije.
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The Mala galerija Banke Slovenije, together with the Center for Culture and Art in Wrocław (PL), KUD Mreža and Mesto žensk Association, cordially invite you to an exhibition by Barbara Kozłowska (1940–2008), one of Poland’s most important avant-garde artists.
The exhibition Places for Deliberation marks the first presentation of Barbara Kozłowska’s work in Slovenia. It features a selection of her most important works drawn from her private archive, which is still stored in Wrocław.
🔸🟣 𝐈𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧▶️ https://mestozensk.org/index.php/en/festival/2025/dogodek/119792
🔸🟣 𝐓𝐢𝐜𝐤𝐞𝐭𝐬▶️ www.mestozensk.org/sl/festival/2025/vstopnice
Exhibition curator: Marika Kuźmicz
Curator of the Polish performance art program: Agnieszka Chodysz-Foryś
Curators of the Slovenian performance art program: Ana Grobler and Sebastian Krawczyk
Program associate: Iva Kovač, Hana Čeferin
Coordination: Marharyta Rubanenko, Adam Parol
Graphic identification: @grupaprojektor
Organizer:
Culture and Art Centre in Wroclaw – Cultural Institution of the Government of the Lower Silesian Region / www.okis.pl
Co-organizers:
Mala galerija Banke Slovenije / mgbs.si
City of Women / www.cityofwomen.org
The Cultural and Artistic Association Mreža (KUD Mreža) / www.kudmreza.org
Arton Foundation / www.fundacjaarton.pl
Partner: Embassy of the Republic of Poland
This project is co-financed by the Minister of Culture and National Heritage of the Republic of Poland from the Culture Promotion Fund and from the budget of the Self-Government of the Lower Silesian Region.
Honorary patronage: Marta Cienkowska – Minister of Culture and National Heritage, Łukasz Paprotny – Chargé d’affaires a.i. of the Republic of Poland to the Republic of Slovenia
🔸🟣 𝐏𝐫𝐨𝐠𝐫𝐚𝐦 𝐚𝐜𝐜𝐨𝐦𝐩𝐚𝐧𝐲𝐢𝐧𝐠 𝐭𝐡𝐞 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 11:00, Guided tour of the exhibition Places for Deliberation
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 12:00, Anna Kalwajtys: Line. Performance
𝟏𝟔.𝟏𝟎.𝟐𝟎𝟐𝟓, 18:00, Lučka Centa: ved’ma. Performance
𝟐𝟑.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Iva Suhadolnik Gregorin: The Tape. Performance
𝟑𝟎.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Anita Wach: Anita Wach: 68 Toasts to a Flawed Heart. Performance
🟣🔸🟣🔸🟣🔸🟣🔸
Barbara Kozłowska was a forerunner of performance art in Poland and a participant in the Wrocław avant-garde scene—one of the most vibrant and progressive places on the region’s map at that time. Although she graduated from the Faculty of Ceramics (with a degree in architectural painting), she quickly abandoned traditional media in favor of ephemeral activities.
Kozłowska was born in Tarnobrzeg (Poland), where her family had been relocated at the outbreak of World War II. The war would leave a deep imprint on Kozłowska’s life. In 1940, her father was murdered in the Dachau concentration camp; and one of her brothers, who was involved in opposition activities, was also imprisoned there. The artist was always mindful of the tragic nature of her early years. And tragedy would continue into the post-war years, when she herself became aware of how an impervious political system could crush the life of an individual. She ended up rebelling against the communist regime, a system that restricted her ability to move freely.
Kozłowska identified travel with freedom. This axiom informed her entire conceptual activity, and translated into the work Border Line (1967–1990), which unfolded over decades. From 1967 onwards, Kozłowska began marking points on the globe, drawing an imaginary line that she intended to run across the globe; and all the way to the Moon. This was her way of overcoming the formal and political difficulties of her reality. In order to make the concept more concrete, she visited various places, including the former Yugoslavia, where she made cones out of sand. She would travel further afield to beaches around the world, where she stacked stones or simply documented her presence.
Although Kozłowska explicitly distanced herself from feminism, her works are among the most distinct contributions to Polish art. They offer critical perspectives on gender and art that present us with new possibilities for interpretation today.
by #vednoaktualno | Okt 22, 2025
Prisrčno vabimo na vodstvo po razstavi 𝐌𝐞𝐬𝐭𝐚 𝐳𝐚 𝐫𝐚𝐳𝐦𝐢𝐬𝐥𝐞𝐤: 𝐁𝐚𝐫𝐛𝐚𝐫𝐚 𝐊𝐨𝐳ł𝐨𝐰𝐬𝐤𝐚, ki bo v četrtek, 30. oktobra, ob 16. uri v Mali Galeriji BS.
Vodstvo bo vodil 𝐀𝐝𝐚𝐦 𝐏𝐚𝐫𝐨𝐥 in bo potekalo v angleščini.
Za tem pa bo na vrsti performans Anite Wach: 68 zdravic za srce z napako.
Vstop prost!
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Razstava predstavlja najpomembnejša dela Barbare Kozłowske iz šestdesetih in sedemdesetih let 20. stoletja, ki pripovedujejo o njeni subjektivnosti in izražajo svobodo znotraj političnega sistema, v katerem je živela. Barbara Kozłowska je bila ena od pionirk performansa na Poljskem in del vroclavske avantgardne scene – ene najbolj živahnih in progresivnih umetniških središč v regiji tistega časa. Približno v istem času, ko se je slovenska skupina OHO preselila v Vipavsko dolino, je Barbara Kozłowska zapustila svoj atelje v Vroclavu in se odpravila na plažo. Čeprav je diplomirala na Oddelku za keramiko (smer arhitekturno slikarstvo), je kmalu opustila tradicionalne medije v prid efemernim umetniškim praksam.
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Več —> https://mestozensk.org/sl/festival/2025/dogodek/119792
Kuratorka razstave: Marika Kuźmicz
Kuratorka poljskega programa performativne umetnosti: Agnieszka Chodysz-Foryś
Kuratorja slovenskega programa performativne umetnosti: Ana Grobler in Sebastian Krawczyk
Performerke: Anita Wach, Anna Kalwajtys, Iva Suhadolnik Gregorin, Lučka Centa
Sodelavka pri programu: Iva Kovač, Hana Čeferin
ENGLISH
We warmly invite you to a guided tour of the exhibition 𝐏𝐥𝐚𝐜𝐞𝐬 𝐟𝐨𝐫 𝐃𝐞𝐥𝐢𝐛𝐞𝐫𝐚𝐭𝐢𝐨𝐧: 𝐁𝐚𝐫𝐛𝐚𝐫𝐚 𝐊𝐨𝐳ł𝐨𝐰𝐬𝐤𝐚, which will take place on Thursday, October 30, at 4 p.m. in the Mala Galerija BS.
The tour will be led by 𝐀𝐝𝐚𝐦 𝐏𝐚𝐫𝐨𝐥 and will be conducted in English.
This will be followed by a performance by Anita Wach: 68 Toasts for a Flawed Heart.
Free entry!
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The exhibition presents the most important works by Barbara Kozłowska from the 1960s and 1970s, which tell about her subjectivity and express her freedom within the political system in which she lived. She was one of the pioneers of performance art in Poland and a participant in the Wrocław avant-garde scene – one of the most vibrant and progressive places on the regional map at that time. At the same time, when the Slovenian OHO Group resettled to the Vipava Valley, Barbara Kozłowska left her Wrocław studio and hit the beach. Although she graduated from the Faculty of Ceramics (with a degree in architectural painting), she quickly abandoned traditional media in favor of ephemeral activities.
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More —> https://mestozensk.org/en/festival/2025/dogodek/119792
Exhibition curator: Marika Kuźmicz
Curator of the Polish performance art program: Agnieszka Chodysz-Foryś
Curators of the Slovenian performance art program: Ana Grobler and Sebastian Krawczyk
Performers: Anita Wach, Anna Kalwajtys, Iva Suhadolnik Gregorin, Lučka Centa
Program associate: Iva Kovač, Hana Čeferin
by #vednoaktualno | Okt 22, 2025
[For ENG scroll down]
Mala galerija Banke Slovenije v sodelovanju s Centrom za kulturo in umetnost iz Vroclava (Poljska), KUD-om Mreža in Društvom Mesto žensk vabi na razstavo Barbare Kozłowske (1940–2008), ene najpomembnejših avantgardnih umetnic na Poljskem.
Razstava Mesta za razmislek predstavlja prvo predstavitev dela Barbare Kozłowske v Sloveniji. Vsebuje izbor najpomembnejših del iz njenega privatnega arhiva, ki je še vedno shranjen v Vroclavu.
🔸🟣 𝐈𝐧𝐟𝐨𝐫𝐦𝐚𝐜𝐢𝐣𝐞 𝐨 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐢▶️ https://mestozensk.org/index.php/sl/festival/2025/dogodek/119792
🔸🟣𝗩𝘀𝘁𝗼𝗽𝗻𝗶𝗰𝗲▶️ www.mestozensk.org/sl/festival/2025/vstopnice
Kuratorka razstave: Marika Kuźmicz
Kuratorka poljskega programa performativne umetnosti: Agnieszka Chodysz-Foryś
Kuratorja slovenskega programa performativne umetnosti: Ana Grobler in Sebastian Krawczyk
Sodelavka pri programu: Iva Kovač, Hana Čeferin
Koordinacija: Marharyta Rubanenko, Adam Parol
Grafična identifikacija: @grupaprojektor
Organizator:
Center kulture in umetnosti v Vroclavu – Kulturni inštitut vlade
Spodnje Šlezije / www.okis.pl
Soorganizatorji:
Mala galerija Banke Slovenije / mgbs.si
Mesto žensk / www.cityofwomen.org
Kulturno umetniško društvo Mreža (KUD Mreža) / www.kudmreza.org
Fundacija Arton / www.fundacjaarton.pl
Partner: Veleposlaništvo Republike Poljske v Ljubljani, Slovenija
Projekt je sofinanciralo Ministrstvo za kulturo in nacionalno dediščino Republike Poljske iz Sklada za promocijo kulture in proračuna samouprave Spodnješlezijske regije.
Častno pokroviteljstvo: Marta Cienkowska – ministrica za kulturo in nacionalno dediščino, Łukasz Paprotny – začasni odpravnik poslov Republike Poljske v Republiki Sloveniji
🔸🟣 𝐏𝐫𝐨𝐠𝐫𝐚𝐦, 𝐬𝐩𝐫𝐞𝐦𝐥𝐣𝐞𝐯𝐚𝐥𝐧𝐢 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐢
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 11:00, Vodstvo po razstavi Mesta za razmislek
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 12:00, Anna Kalwajtys: Linija. Performans
𝟏𝟔.𝟏𝟎.𝟐𝟎𝟐𝟓, 18:00, Lučka Centa: ved’ma. Performans
𝟐𝟑.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Iva Suhadolnik Gregorin: Trak. Performans
𝟑𝟎.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Anita Wach: 68 zdravic za srce z napako. Performans
🟣🔸🟣🔸🟣🔸🟣🔸
Barbara Kozłowska je bila ena od pionirjev performativne umetnosti na Poljskem in predstavnica avantgarde v Vroclavu – takrat enem najživahnejših in najnaprednejših krajev v regiji. Čeprav je zaključila študij na Fakulteti za keramiko (z diplomo iz arhitekturnega slikarstva), je kmalu opustila tradicionalne medije in te zamenjala z bolj efemernimi dejavnostmi.
Barbara Kozłowska se je rodila v Tarnobrzegu (Poljska), kamor se je njena družina preselila po izbruhu druge svetovne vojne. Vojna je hudo zaznamovala njeno življenje. Leta 1940 je bil njen oče umorjen v koncentracijskem taborišču Dachau, kamor so zaprli tudi enega njenih bratov, ki je sodeloval pri opozicijskih dejavnostih. Umetnica težkega začetka svojega življenja ni nikoli pozabila. Tragedija se je nadaljevala tudi v povojnih letih, ko se je sama začela zavedati, kako lahko krut politični sistem uniči življenje posameznika. Na koncu se je uprla komunističnemu režimu – sistemu, ki je omejeval njeno svobodo prostega gibanja.
Barbara Kozłowska je potovanja enačila s svobodo To načelo je vplivalo na njeno celotno konceptualno dejavnost, kar se odraža v delu Mejna črta (1967–1990), ki je nastajalo več desetletij. Barbara Kozłowska je od leta 1967 označevala točke na zemljevidu sveta ter risala imaginarno črto, ki jo je nameravala potegniti čez ves svet in vse do Lune. Na ta način je premagovala formalne in politične težave, s katerimi se je spopadala v resničnem življenju. Da bi konceptu podarila konkretnejšo podobo, je obiskovala številne kraje, vključno z nekdanjo Jugoslavijo, kjer je iz peska oblikovala stožce. Svojo pot je nadaljevala proti plažam na različnih koncih sveta, kjer je drugega na drugega postavljala kamne ali preprosto dokumentirala svojo prisotnost.
Čeprav se je Barbara Kozłowska izrecno oddaljila od feminizma, njena dela sodijo med najbolj izrazite prispevke k poljski umetnosti. Odpirajo kritične poglede na spol in umetnost, ki dandanes ponujajo nove možnost interpretacije.
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The Mala galerija Banke Slovenije, together with the Center for Culture and Art in Wrocław (PL), KUD Mreža and Mesto žensk Association, cordially invite you to an exhibition by Barbara Kozłowska (1940–2008), one of Poland’s most important avant-garde artists.
The exhibition Places for Deliberation marks the first presentation of Barbara Kozłowska’s work in Slovenia. It features a selection of her most important works drawn from her private archive, which is still stored in Wrocław.
🔸🟣 𝐈𝐧𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧 𝐚𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧▶️ https://mestozensk.org/index.php/en/festival/2025/dogodek/119792
🔸🟣 𝐓𝐢𝐜𝐤𝐞𝐭𝐬▶️ www.mestozensk.org/sl/festival/2025/vstopnice
Exhibition curator: Marika Kuźmicz
Curator of the Polish performance art program: Agnieszka Chodysz-Foryś
Curators of the Slovenian performance art program: Ana Grobler and Sebastian Krawczyk
Program associate: Iva Kovač, Hana Čeferin
Coordination: Marharyta Rubanenko, Adam Parol
Graphic identification: @grupaprojektor
Organizer:
Culture and Art Centre in Wroclaw – Cultural Institution of the Government of the Lower Silesian Region / www.okis.pl
Co-organizers:
Mala galerija Banke Slovenije / mgbs.si
City of Women / www.cityofwomen.org
The Cultural and Artistic Association Mreža (KUD Mreža) / www.kudmreza.org
Arton Foundation / www.fundacjaarton.pl
Partner: Embassy of the Republic of Poland
This project is co-financed by the Minister of Culture and National Heritage of the Republic of Poland from the Culture Promotion Fund and from the budget of the Self-Government of the Lower Silesian Region.
Honorary patronage: Marta Cienkowska – Minister of Culture and National Heritage, Łukasz Paprotny – Chargé d’affaires a.i. of the Republic of Poland to the Republic of Slovenia
🔸🟣 𝐏𝐫𝐨𝐠𝐫𝐚𝐦 𝐚𝐜𝐜𝐨𝐦𝐩𝐚𝐧𝐲𝐢𝐧𝐠 𝐭𝐡𝐞 𝐞𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 11:00, Guided tour of the exhibition Places for Deliberation
𝟒.𝟏𝟎.𝟐𝟎𝟐𝟓, 12:00, Anna Kalwajtys: Line. Performance
𝟏𝟔.𝟏𝟎.𝟐𝟎𝟐𝟓, 18:00, Lučka Centa: ved’ma. Performance
𝟐𝟑.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Iva Suhadolnik Gregorin: The Tape. Performance
𝟑𝟎.𝟏𝟎.𝟐𝟎𝟐𝟓, 17:00, Anita Wach: Anita Wach: 68 Toasts to a Flawed Heart. Performance
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Barbara Kozłowska was a forerunner of performance art in Poland and a participant in the Wrocław avant-garde scene—one of the most vibrant and progressive places on the region’s map at that time. Although she graduated from the Faculty of Ceramics (with a degree in architectural painting), she quickly abandoned traditional media in favor of ephemeral activities.
Kozłowska was born in Tarnobrzeg (Poland), where her family had been relocated at the outbreak of World War II. The war would leave a deep imprint on Kozłowska’s life. In 1940, her father was murdered in the Dachau concentration camp; and one of her brothers, who was involved in opposition activities, was also imprisoned there. The artist was always mindful of the tragic nature of her early years. And tragedy would continue into the post-war years, when she herself became aware of how an impervious political system could crush the life of an individual. She ended up rebelling against the communist regime, a system that restricted her ability to move freely.
Kozłowska identified travel with freedom. This axiom informed her entire conceptual activity, and translated into the work Border Line (1967–1990), which unfolded over decades. From 1967 onwards, Kozłowska began marking points on the globe, drawing an imaginary line that she intended to run across the globe; and all the way to the Moon. This was her way of overcoming the formal and political difficulties of her reality. In order to make the concept more concrete, she visited various places, including the former Yugoslavia, where she made cones out of sand. She would travel further afield to beaches around the world, where she stacked stones or simply documented her presence.
Although Kozłowska explicitly distanced herself from feminism, her works are among the most distinct contributions to Polish art. They offer critical perspectives on gender and art that present us with new possibilities for interpretation today.
![Dekleta ne jočejo / Mesto žensk v Celju]()
by #vednoaktualno | Okt 5, 2025
Prisrčno vabljene_ na projekcijo filma 𝐃𝐞𝐤𝐥𝐞𝐭𝐚 𝐧𝐞 𝐣𝐨𝐜̌𝐞𝐣𝐨, režiserk 𝐒𝐢𝐠𝐫𝐢𝐝 𝐊𝐥𝐚𝐮𝐬𝐦𝐚𝐧𝐧 in 𝐋𝐢𝐧𝐞 𝐋𝐮𝐳̌𝐲𝐭𝐞̇, ki bo v 𝐧𝐞𝐝𝐞𝐥𝐣𝐨, 𝟏𝟖. 𝐨𝐤𝐭𝐨𝐛𝐫𝐚 ob 𝟏𝟗.00 v 𝐌𝐚𝐥𝐞𝐦 𝐤𝐢𝐧𝐮 𝐔𝐧𝐢𝐨𝐧 𝐂𝐞𝐥𝐣𝐞!
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Film Dekleta ne jočejo govori o hrepenenju šestih deklet po svobodnem življenju, ki bi si ga določale same, o želji po ljubezni brez paternalizma, tujega nadzora nad lastnimi telesi, z enakimi pravicami.
Doživimo, kako se dekleta soočajo s krizami pubertete, kako v težkih situacijah samozavestno sprejemajo odločitve, njihov pogumen boj proti brutalnim tradicijam, kot je obrezovanje, proti družbenim omejtivam in pritisku, proti obsedenosti z lepoto in predsodkom – tudi ob soočanjih s travmo in izgubo.
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𝐏𝐨 𝐟𝐢𝐥𝐦𝐮 𝐬𝐞 𝐛𝐨 𝐬 𝐏𝐞𝐭𝐫𝐨 𝐌𝐞𝐭𝐞𝐫𝐜 𝐩𝐨𝐠𝐨𝐯𝐚𝐫𝐣𝐚𝐥𝐚 𝐀𝐧𝐚 𝐋𝐨𝐫𝐚.
🕙 90 min
🎟️ 5€
Več —-> https://mestozensk.org/sl/festival/2025/dogodek/119836
Režiserki: Sigrid Klausmann, Lina Lužytė;
scenaristka: Sigrid Klausmann;
producent: Walter Ruediger Sittler;
produkcija: Center sodobnih umetnosti Celje;
partner: Kino Mali Union;
podpora: Ministrstvo za kulturo RS, Mestna občina Celje;
organizacija: Mesto žensk.
ENG
You are warmly invited to the screening of the film 𝐆𝐢𝐫𝐥𝐬 𝐃𝐨𝐧’𝐭 𝐂𝐫𝐲, directed by 𝐒𝐢𝐠𝐫𝐢𝐝 𝐊𝐥𝐚𝐮𝐬𝐦𝐚𝐧𝐧 and 𝐋𝐢𝐧a 𝐋𝐮𝐳̌𝐲𝐭𝐞̇, which will happen on 𝐒𝐮𝐧𝐝𝐚𝐲, 𝟏𝟖𝐭𝐡 of 𝐎𝐜𝐭𝐨𝐛𝐞𝐫 at 𝟕 𝐩𝐦 at 𝐌𝐚𝐥𝐢 𝐤𝐢𝐧𝐨 𝐔𝐧𝐢𝐨𝐧 𝐂𝐞𝐥𝐣𝐞!
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In Girls Don’t Cry we learn about the longing of 6 girls for a self-determined life in freedom, their desire to fall in love, without paternalism, without foreign power over their own bodies, with equal rights. We experience how they deal with the crisis of puberty, their self-confident decisions in difficult situations, their courageous fight against brutal traditions such as circumcision, against social constraints and pressure, against beauty mania and prejudice, even in the face of trauma and loss.
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𝐓𝐡𝐞 𝐬𝐜𝐫𝐞𝐞𝐧𝐢𝐧𝐠 𝐨𝐟 𝐭𝐡𝐞 𝐟𝐢𝐥𝐦 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐟𝐨𝐥𝐥𝐨𝐰𝐞𝐝 𝐛𝐲 𝐚 𝐜𝐨𝐧𝐯𝐞𝐫𝐬𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐀𝐧𝐚 𝐋𝐨𝐫𝐚 𝐰𝐢𝐭𝐡 𝐏𝐞𝐭𝐫𝐚 𝐌𝐞𝐭𝐞𝐫𝐜.
🕙 90 min
🎟️ 5€
More ——> https://mestozensk.org/en/festival/2025/dogodek/119836
Directors: Sigrid Klausmann, Lina Lužytė;
Written by: Sigrid Klausmann;
Producer: Walter Ruediger Sittler,
Production: Center for Contemporary Arts Celje;
Partner: Mali kino Union;
Support: Ministry of Culture RS; Municipality of Celje;
Organisation: City of Women.
