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Izvor prihodnosti – 50 let razvoja umetne inteligence v Sloveniji | Računalniški muzej

by #vednoaktualno | Apr 8, 2026

𝐈𝐳𝐯𝐨𝐫 𝐩𝐫𝐢𝐡𝐨𝐝𝐧𝐨𝐬𝐭𝐢
𝟓𝟎 𝐥𝐞𝐭 𝐫𝐚𝐳𝐯𝐨𝐣𝐚 𝐮𝐦𝐞𝐭𝐧𝐞 𝐢𝐧𝐭𝐞𝐥𝐢𝐠𝐞𝐧𝐜𝐞 𝐯 𝐒𝐥𝐨𝐯𝐞𝐧𝐢𝐣𝐢
Računalniški muzej

📍Galerija Kresija
3. 4.–3. 5. 2026
📌𝐎𝐝𝐩𝐫𝐭𝐣𝐞 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐞: 𝐩𝐞𝐭𝐞𝐤, 𝟑. 𝐚𝐩𝐫𝐢𝐥 𝟐𝟎𝟐𝟔, 𝐨𝐛 𝟏𝟖. 𝐮𝐫𝐢

𝘙𝘢𝘻𝘴𝘵𝘢𝘷𝘢 𝘱𝘰𝘵𝘦𝘬𝘢 𝘱𝘰𝘥 𝘤̌𝘢𝘴𝘵𝘯𝘪𝘮 𝘱𝘰𝘬𝘳𝘰𝘷𝘪𝘵𝘦𝘭𝘫𝘴𝘵𝘷𝘰𝘮 𝘱𝘳𝘦𝘥𝘴𝘦𝘥𝘯𝘪𝘤𝘦 𝘙𝘦𝘱𝘶𝘣𝘭𝘪𝘬𝘦 𝘚𝘭𝘰𝘷𝘦𝘯𝘪𝘫𝘦 𝘥𝘳. 𝘕𝘢𝘵𝘢𝘴̌𝘦 𝘗𝘪𝘳𝘤 𝘔𝘶𝘴𝘢𝘳.

Zgodba o razvoju umetne inteligence je zgodba o človeški radovednosti in želji, da bi razumeli razum sam. Od antičnih mitov o bronastih velikanih do literarnih vizij o robotih so sanje o mislečih strojih burile domišljijo, a resnična revolucija se je v zadnjih desetletjih tiho odvijala v raziskovalnih skupinah.
Slovenija ima v tem razvoju presenetljivo pomembno vlogo. Čeprav je svetovni preboj uporabniških orodij šele pred nekaj leti umetno inteligenco postavil v središče javnega zanimanja, domači razvoj poteka že pol stoletja in uživa mednarodni ugled od Stanforda do Tokia. Resnična zgodba najbolj prebojne tehnologije našega časa pa se piše v stotinah tisoč vrstic programske kode, ki so bile skozi desetletja napisane v mnogih laboratorijih na Institutu Jožef Stefan, na Fakulteti za računalništvo in informatiko ter razvojnih oddelkih pionirskih podjetij.

𝐑𝐚𝐜̌𝐮𝐧𝐚𝐥𝐧𝐢𝐬̌𝐤𝐢 𝐦𝐮𝐳𝐞𝐣 z razstavo 𝘐𝘻𝘷𝘰𝘳 𝘱𝘳𝘪𝘩𝘰𝘥𝘯𝘰𝘴𝘵𝘪 razkriva to spregledano pot slovenskih začetnikov najbolj prebojnega področja računalništva. To niso le zgodbe o procesorjih, temveč zgodbe o ljudeh, ki so v tehnologijo vtkali svoje vrednote in želje za prihodnost. To so zgodbe, ki bodo krojile sodobno slovensko tehnološko samozavest.
https://www.racunalniski-muzej.si.

𝐒𝐩𝐫𝐞𝐦𝐥𝐣𝐞𝐯𝐚𝐥𝐧𝐢 𝐝𝐨𝐠𝐨𝐝𝐤𝐢:
– Sobota, 4. april 2026, 10.00–10.30 | Voden ogled razstave
– Sobota, 4. april 2026, 11.00–11.30| Voden ogled razstave v angleškem jeziku
– Sreda, 8. april 2026, 18.00–19.00| Šah po šihtu
– Nedelja, 12. april 2026, 10.00–10.30| Voden ogled razstave
– Nedelja, 12. april 2026, 11.00–11.30| voden ogled razstave v angleškem jeziku
– Četrtek, 16. april 2026, 17.30–18.30| Od izvora do prihodnosti: Okrogla miza s strokovnjaki za UI
– Sobota, 18. april 2026, 10.00–10.30| Voden ogled razstave
– Sobota, 18. april 2026, 11.00–11.30| Voden ogled razstave v angleškem jeziku
– Četrtek, 23. april 2026, 17.30–18.30| Umetni um v književnih svetovih
– Četrtek, 23. april 2026, 17.00–20.00| Igrajmo GO
– Sobota, 25. april 2026, 10.00–10.30| Voden ogled razstave
– Sobota, 25. april 2026, 11.00–11.30| Voden ogled razstave v angleškem jeziku
– Sobota, 25. april 2026, 12.00–12.30| Voden ogled razstave v italijanskem jeziku
– Nedelja, 26. april 2026, 10.00–11.30| Počitniške delavnice
– Torek, 28. april 2026, 10.00–11.30| Počitniške delavnice
– Sreda, 29. april 2026, 10.00–11.30| Počitniške delavnice
– Četrtek, 30. april 2026, 10.00–11.30| Počitniške delavnice
– Nedelja, 3. maj 2026, 10.00–10.30| Voden ogled razstave
– Nedelja, 3. maj 2026, 11.00–11.30| Voden ogled razstave v angleškem jeziku

V sodelovanju s Fakulteto za računalništvo in informatiko Univerze v Ljubljani, SLO AI Zavodom za spodbujanje razvoja umetne inteligence, Slovenskim društvom za umetno inteligenco SLAIS in Institutom “Jožef Štefan”.

Naslovna podoba: arhiv Računalniškega muzeja
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𝐓𝐡𝐞 𝐎𝐫𝐢𝐠𝐢𝐧 𝐨𝐟 𝐭𝐡𝐞 𝐅𝐮𝐭𝐮𝐫𝐞
𝟓𝟎 𝐲𝐞𝐚𝐫𝐬 𝐨𝐟 𝐀𝐈 𝐝𝐞𝐯𝐞𝐥𝐨𝐩𝐦𝐞𝐧𝐭 𝐢𝐧 𝐒𝐥𝐨𝐯𝐞𝐧𝐢𝐚
The Computer History Museum Slovenia

📍Kresija Gallery
3. 4.–3. 5. 2026
📌𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐨𝐩𝐞𝐧𝐢𝐧𝐠: 𝐅𝐫𝐢𝐝𝐚𝐲, 𝟑 𝐀𝐩𝐫𝐢𝐥 𝟐𝟎𝟐𝟔, 𝟔 𝐩𝐦

𝘛𝘩𝘦 𝘦𝘹𝘩𝘪𝘣𝘪𝘵𝘪𝘰𝘯 𝘪𝘴 𝘩𝘦𝘭𝘥 𝘶𝘯𝘥𝘦𝘳 𝘵𝘩𝘦 𝘩𝘰𝘯𝘰𝘳𝘢𝘳𝘺 𝘱𝘢𝘵𝘳𝘰𝘯𝘢𝘨𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘗𝘳𝘦𝘴𝘪𝘥𝘦𝘯𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘙𝘦𝘱𝘶𝘣𝘭𝘪𝘤 𝘰𝘧 𝘚𝘭𝘰𝘷𝘦𝘯𝘪𝘢, 𝘋𝘳. 𝘕𝘢𝘵𝘢𝘴̌𝘢 𝘗𝘪𝘳𝘤 𝘔𝘶𝘴𝘢𝘳.

The story of artificial intelligence development is a story of human curiosity and the desire to understand the human mind. From ancient myths about bronze giants to literary visions of robots, dreams of thinking machines have long stirred the imagination, but over the past few decades, the real revolution has been quietly unfolding in research groups.
Slovenia has played a surprisingly vital role in this process. Although it was not until a few years ago that the global breakthrough of user tools brought artificial intelligence to the forefront of public interest, the science behind it had been developing locally for 50 years, earning acclaim worldwide from Stanford to Tokyo. The real story of the most groundbreaking technology unfolds in hundreds of thousands of lines of code written over decades in the labs of the Jožef Stefan Institute, the Faculty of Computer and Information Science, and the development departments of pioneering companies.

With the exhibition 𝘛𝘩𝘦 𝘖𝘳𝘪𝘨𝘪𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘍𝘶𝘵𝘶𝘳𝘦, 𝐭𝐡𝐞 𝐂𝐨𝐦𝐩𝐮𝐭𝐞𝐫 𝐇𝐢𝐬𝐭𝐨𝐫𝐲 𝐌𝐮𝐬𝐞𝐮𝐦 𝐒𝐥𝐨𝐯𝐞𝐧𝐢𝐚 sheds light on the little-known journey of Slovenian pioneers in this groundbreaking field of computer science. Rather than just stories about processors, these are stories about people who wove their values and desires for the future into technology. These are stories that will shape Slovenia’s technological confidence in the years ahead.
https://www.racunalniski-muzej.si.

𝐀𝐜𝐜𝐨𝐦𝐩𝐚𝐧𝐲𝐢𝐧𝐠 𝐞𝐯𝐞𝐧𝐭𝐬:
– Saturday, 4 April 2026, 10:00–10:30 am | Guided tour of the exhibition
– Saturday, 4 April 2026, 11:00–11:30 am| Guided tour of the exhibition (in English)
– Wednesday, 8 April 2026, 18:00–19:00 pm| After-work chess
– Sunday, 12 April 2026, 10:00–10:30 am| Guided tour of the exhibition The Origin of the Future
– Sunday, 12 April 2026, 11:00–11:30 am| Guided tour of the exhibition The Origin of the Future (in English)
– Thursday, 16 April 2026, 17:30–18:30 pm| From the origin to the future: Panel discussion with AI experts
– Saturday, 18 April 2026, 10:00–10:30 am| Guided tour of the exhibition
– Saturday, 18 April 2026, 11:00–11:30 am| Guided tour of the exhibition (in English)
– Thursday, 23 April 2026, 17:30–18:30 pm| Artificial mind in literary landscapes
– Thursday, 23 April 2026, 17:00–20:00 pm| Let’s play GO
– Saturday, 25 April 2026, 10:00–10:30 am| Guided tour of the exhibition
– Saturday, 25 April 2026, 11:00–11:30 am| Guided tour of the exhibition (in English)
– Saturday, 25 April 2026, 12:00–12:30 pm| Guided tour of the exhibition (in Italian) / Visita guidata della mostra L’origine dell futuro
– Sunday, 26 April 2026, 10:00–11:30 am| Holiday workshops
– Tuesday, 28 April 2026, 10:00–11:30 am| Holiday workshops
– Wednesday, 29 April 2026, 10:00–11:30 am| Holiday workshops
– Thursday, 30 April 2026, 10:00–11:30 am| Holiday workshops
– Sunday, 3 May 2026, 10:00–10:30 am| Guided tour of the exhibition
– Sunday, 3 May 2026, 11:00–11:30 am| Guided tour of the exhibition (in English)

In collaboration with the Faculty of Computer and Information Science at the University of Ljubljana, the SLO AI Institute for the Promotion of Artificial Intelligence Development, the Slovenian Association for Artificial Intelligence (SLAIS), and the “Jožef Štefan” Institute.

Cover image: the Computer History Museum Slovenia archive
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Generalni pokrovitelj razstave / General sponsor: Sportradar
Strateška partnerja razstave / Strategic partners: Telekom Slovenije, NLB
Partnerja razstave / Partners: Comtrade System Integration, Codeplain
Podporniki / Supporters: Arnes, eBralec

Saša Nemec: Repair-a-thon / Popravljalni maraton

by #vednoaktualno | Apr 8, 2026

𝐒𝐚𝐬̌𝐚 𝐍𝐞𝐦𝐞𝐜: 𝐑𝐞𝐩𝐚𝐢𝐫-𝐚-𝐭𝐡𝐨𝐧 / 𝐏𝐨𝐩𝐫𝐚𝐯𝐥𝐣𝐚𝐥𝐧𝐢 𝐦𝐚𝐫𝐚𝐭𝐨𝐧
17. 3.–12. 4. 2026
Stekleni atrij ljubljanske Mestne hiše

📌𝐎𝐝𝐩𝐫𝐭𝐣𝐞 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐞: 𝐭𝐨𝐫𝐞𝐤, 𝟏𝟕. 𝐦𝐚𝐫𝐞𝐜 𝟐𝟎𝟐𝟔, 𝐨𝐛 𝟏𝟖. 𝐮𝐫𝐢.
Na odprtju bo potekala tudi krajša popravljalnica.👚

Popravljalnice:✂️
🧵 Sreda, 18. 3., med 16.00 in 19.00
🧵 Sreda, 25. 3., med 16.00 in 19.00
🧵 Sreda, 1. 4., med 16.00 in 19.00
🧵 Sreda, 8. 4., med 16.00 in 19.00

𝐏𝐨𝐧𝐨𝐯𝐧𝐨 𝐨𝐳̌𝐢𝐯𝐢 𝐬𝐯𝐨𝐣𝐚 𝐨𝐛𝐥𝐚𝐜̌𝐢𝐥𝐚!💫

So se ti strgale hlače? Si izgubila gumb? Luknja na najljubšem krilu? Ponovno oživi svoja oblačila s popravilom! Pridi s čistimi oblačili, dvema ali tremi na osebo, ki so potrebna manjših popravil. Popravili jih bomo zastonj!

Repair-a-thon ali Popravljalni maraton je ponavljajoči se dogodek, ki je sprva nastal v Helsinkih in se nato razširil po vsej Evropi. Njegov namen je ozaveščati širšo javnost o ekologiji in prekomerni potrošnji ter spodbuditi k odgovornejšemu ravnanju z lastnim imetjem.

Dogodek je odprt za vse in brez vstopnine. Obiskovalce prosimo, da na dogodek prinesejo svoja oblačila v popravilo ali predelavo za ponovno uporabo. Popravila bomo izvajali brezplačno in po najboljših zmožnostih, po želji obiskovalcev pa nudimo tudi hitre šiviljske inštrukcije.

𝐒𝐚𝐬̌𝐚 𝐍𝐞𝐦𝐞𝐜, rojena leta 1986 v Novi Gorici, je leta 2015 na Univerzi v Ljubljani diplomirala iz oblikovanja tekstilij in oblačil, del študija je opravila v okviru študijske izmenjave na Winchester School of Art v Angliji.
Dandanes se njena umetniška praksa giblje med fascinacijo nad sodobno tehnologijo, digitizacijo (nesnovne) kulturne dediščine s pomočjo 3D upodabljanja ter uporabo starih tehnik popravljanja kot nosilcev spomina. Njena intermedijska praksa se najbolje odraža v performativnem delu Repair-a-thon / Popravljalni maraton, v katerem raziskuje osebne odnose med nami in našo lastnino ter neodgovornost sodobnega kapitalizma. Skozi popravila, performativno akcijo in pogovor z obiskovalci skuša doseči spreobrnitev vrednosti prinesenega predmeta iz denarne v izkustveno. Delo je bilo predstavljeno na festivalu Pixelache (Suvilahti, Helsinki, Finska, 2017), v Designmuseo (Helsinki, Finska, 2017), v okviru razstave 60% (Galerija Alkatraz, Ljubljana, 2019), s podporo Centra za kreativnost tudi na BIO|26 (Podhod Ajdovščina, Ljubljana, 2020), lani pa na dogodku GO! Design Week v okviru prestolnice kulture GO! 2025.
Kot intermedijska umetnica se predstavlja tako doma kot v tujini.

Pisec obrazstavnega besedila: Jernej Čuček Gerbec
Podpornik razstave: ŠKUC
Foto: Samra Sabanović
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𝐒𝐚𝐬̌𝐚 𝐍𝐞𝐦𝐞𝐜: 𝐑𝐞𝐩𝐚𝐢𝐫-𝐚-𝐭𝐡𝐨𝐧
17. 3.–12. 4. 2026
Glass Atrium, Ljubljana Town Hall

📌𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐨𝐩𝐞𝐧𝐢𝐧𝐠: 𝐓𝐮𝐞𝐬𝐝𝐚𝐲, 𝟏𝟕 𝐌𝐚𝐫𝐜𝐡 𝟐𝟎𝟐𝟔, 𝟔 𝐩𝐦

Repair sessions:✂️
🧵 Wednesday, 18 March, 16:00 to 19:00
🧵 Wednesday, 25 March, 16:00 to 19:00
🧵 Wednesday, 1 April, 16:00 to 19:00
🧵 Wednesday, 8 April, 16:00 to 19:00

𝐁𝐫𝐢𝐧𝐠 𝐲𝐨𝐮𝐫 𝐜𝐥𝐨𝐭𝐡𝐞𝐬 𝐛𝐚𝐜𝐤 𝐭𝐨 𝐥𝐢𝐟𝐞!💫

Have you torn your trousers? Lost a button? A hole in your favourite skirt? Have your clothes repaired to bring them back to life! Bring clean clothes, two or three per person, that need minor repairs, and we will repair them for free!

Repair-a-thon is a recurring event that originated in Helsinki and has since spread throughout Europe. Its purpose is to raise awareness about ecology and excessive consumption and to encourage more responsible consumer behaviour.

The event is open to everyone and is free of charge. Visitors are asked to bring their clothes to be mended or repurposed. We will carry out repairs free of charge and to the best of our ability. At the request of visitors, we also offer quick sewing lessons.

𝐒𝐚𝐬̌𝐚 𝐍𝐞𝐦𝐞𝐜, born in Nova Gorica in 1986, graduated in Textile and Fashion Design from the University of Ljubljana in 2015, after completing a study exchange at the Winchester School of Art in the UK.
Today, her art moves between fascination with contemporary technology, the digitisation of (intangible) cultural heritage using 3D imaging, and the use of old repair techniques as carriers of memory. Her intermedia practice is best reflected in the performative work Repair-a-thon, in which she explores personal relationships between people and their possessions and the irresponsibility of modern capitalism. Through repairs, performative action, and conversations with visitors, Nemec attempts to transform the value of submitted garments from monetary to experiential. The work was presented at the Pixelache Festival (Suvilahti, Helsinki, Finland, 2017), at the Design Museum (Helsinki, Finland, 2017), as part of the exhibition 60% (Alkatraz Gallery, Ljubljana, 2019), at BIO|26 with the support of the Centre for Creativity (Ajdovščina Underpass, Ljubljana, 2020), and last year at GO! Design Week as part of the GO! 2025 European Capital of Culture.
As an intermedia artist, Nemec showcases her work both nationally and internationally.

Exhibition text: Jernej Čuček Gerbec
Support: ŠKUC
Photo: Samra Sabanović

Tomaž Berčič: Mojstri besede

by #vednoaktualno | Apr 8, 2026

𝐓𝐨𝐦𝐚𝐳̌ 𝐁𝐞𝐫𝐜̌𝐢𝐜̌: 𝐌𝐨𝐣𝐬𝐭𝐫𝐢 𝐛𝐞𝐬𝐞𝐝𝐞
11. 3.–16. 4. 2026
Zgodovinski atrij ljubljanske Mestne hiše

📌𝐎𝐝𝐩𝐫𝐭𝐣𝐞 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐞: 𝐬𝐫𝐞𝐝𝐚, 𝟏𝟏. 𝐦𝐚𝐫𝐞𝐜 𝟐𝟎𝟐𝟔, 𝐨𝐛 𝟏𝟖. 𝐮𝐫𝐢

🔷Vodstvo po razstavi z umetnikom: četrtek, 9. april, ob 17. uri

Cikel Mojstri besede je dolgoročen fotografski projekt Tomaža Berčiča, posvečen slovenskim literatom druge polovice 20. stoletja in sodobnega časa. V črno-belih portretih pisateljev, pesnikov in mislecev avtor raziskuje odnos med besedo in podobo ter išče človeka za imenom na knjižni platnici. Portretirance umešča v neformalna, intimna okolja – v njihove domove, na ulice, v kavarne ali na sprehode – kjer nastajajo pristne in neposredne podobe brez studijske distance.

Črno-bela fotografija poudarja obraz, pogled, gesto in svetlobo ter omogoča usmerjanje pozornosti na bistvo posameznika. Avtor ne idealizira svojih subjektov, temveč jih predstavlja kot ljudi z življenjskimi izkušnjami, ranljivostjo in notranjo močjo. Cikel učinkuje kot vizualni arhiv spomina, poklon literarnemu ustvarjanju in spoštljiv dialog med fotografijo in besedo. Projekt spremlja tudi monografija v samozaložbi s približno 45 portreti in zapisi o srečanjih.

𝐓𝐨𝐦𝐚𝐳̌ 𝐁𝐞𝐫𝐜̌𝐢𝐜̌ (1968, Ljubljana) je grafični oblikovalec in umetniški vodja v agenciji Art design. S fotografijo se ukvarja več kot štiri desetletja, zadnjih 25 let profesionalno in umetniško. V središču njegovega dela so predvsem portreti vsakdanjih in pogosto marginaliziranih posameznikov ter zapuščeni in degradirani prostori. Razstavljal je na samostojnih in skupinskih razstavah ter svoja dela objavljal v slovenskih in tujih medijih. Je predsednik Fotografskega kluba Kamnik ter aktiven mentor na delavnicah in v regionalnih projektih.

Foto: Tomaž Berčič (Feri Lainšček)
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𝐓𝐨𝐦𝐚𝐳̌ 𝐁𝐞𝐫𝐜̌𝐢𝐜̌: 𝐖𝐨𝐫𝐝𝐬𝐦𝐢𝐭𝐡𝐬
11. 3.–16. 4. 2026
Historical Atrium, Ljubljana Town Hall

📌𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐨𝐩𝐞𝐧𝐢𝐧𝐠: 𝐖𝐞𝐝𝐧𝐞𝐬𝐝𝐚𝐲, 𝟏𝟏 𝐌𝐚𝐫𝐜𝐡 𝟐𝟎𝟐𝟔, 𝟔 𝐩𝐦

🔷Guided tour of the exhibition with the artist: Thursday, 9 April, 5 pm

The Wordsmiths series is a long-term photography project by Tomaž Berčič that celebrates late 20th-century and 21st-century Slovenian authors. In black-and-white portraits of writers, poets, and thinkers, the author explores the relationship between words and images, searching for the person behind the name on the book cover. He places his subjects in informal, intimate settings—their homes, streets, cafés, or nature—where authentic, candid images are captured without the sense of distance created by a studio setting.

Black-and-white photography highlights the face, gaze, gesture, and light, allowing the viewer to focus on the essence of the individual. Rather than idealising his subjects, Berčič shows them as people with life experiences, vulnerabilities, and inner strength. The series acts as a visual archive of memory, a tribute to the art of literature, and a respectful dialogue between photography and the written word. The project is accompanied by a self-published monograph with approximately 45 portraits and notes on the encounters.

𝐓𝐨𝐦𝐚𝐳̌ 𝐁𝐞𝐫𝐜̌𝐢𝐜̌ (Ljubljana, 1968) is a graphic designer and artistic director at the Art Design studio. He has engaged in photography for more than four decades, the last 25 years professionally and artistically. His work focuses on portraits of common, often marginalised individuals, as well as on abandoned and degraded spaces. Berčič has exhibited in solo and group exhibitions and showcased his work in Slovenian and foreign media outlets. He is the president of the Kamnik Photography Club and a tutor in workshops and regional projects.

Photo: Tomaž Berčič (Feri Lainšček)

Nal Kocjan: The Blue Butterfly

by #vednoaktualno | Apr 8, 2026

𝐍𝐚𝐥 𝐊𝐨𝐜𝐣𝐚𝐧: 𝐓𝐡𝐞 𝐁𝐥𝐮𝐞 𝐁𝐮𝐭𝐭𝐞𝐫𝐟𝐥𝐲
24. 3.–19. 4. 2026
Desni atrij ljubljanske Mestne hiše

📌𝐎𝐝𝐩𝐫𝐭𝐣𝐞 𝐫𝐚𝐳𝐬𝐭𝐚𝐯𝐞: 𝐭𝐨𝐫𝐞𝐤, 𝟐𝟒. 𝟑. 𝟐𝟎𝟐𝟔, 𝐨𝐛 𝟏𝟖. 𝐮𝐫𝐢

🎨Vodstvo in zin delavnica: torek, 31. 3. 2026, ob 17. uri. V sodelovanju z Legebitro.

The Blue Butterfly je fotografski projekt Nala Kocjana, ki je nastal oktobra 2023. Raziskuje izkušnje trans moških po opravljeni zgornji operaciji. Projekt združuje studijske portrete, polaroide in sekvenci črno-belega analognega filma, ki obiskovalcem dajejo vpogled v zgodbe, identiteto in telo subjektov. Studijski portreti poudarjajo samozavest in prisotnost trans moških v svetu, polaroidi prikazujejo intimne trenutke v zasebnih prostorih, sekvenci pa simbolizirata prehod in osvoboditev. Leta 2024 je v sodelovanju z društvom DIH nastal zin, ki povezuje vizualni material z dodanimi intervjuji in citati z družbenim in kulturnim kontekstom. Nal Kocjan skozi svoje delo raziskuje identiteto in vidnost trans moških.
(Mars Ema Pečkaj)

𝐍𝐚𝐥 𝐊𝐨𝐜𝐣𝐚𝐧 je vizualni umetnik, ki v svojem delu skozi različne fotografske pristope ozavešča o skupnosti LGBTIQ+ in mentalnem zdravju. Njegova praksa združuje studijsko, analogno in digitalno fotografijo ter pogosto izhaja iz osebnih in skupnostnih izkušenj. Projekt The Blue Butterfly je nastal leta 2023 kot predstavitev lastne izkušnje trans moškega, njegova motivacija pa izvira iz njega in njegovih izkušenj ter želje po večji vidnosti njegove skupnosti, njeni samoreprezentaciji ter vpogledu v njeno intimo.
Trenutno zaključuje študij fotografije na Akademiji za likovno umetnost in oblikovanje v Ljubljani, kjer je projekt tudi nastal.
Njegovo delo se giblje med dokumentarnim in režijskim, pri čemer zavestno prepleta estetiko modne fotografije z intimnimi, osebnimi trenutki.
Z uporabo različnih tehnik (od studijskih portretov do analognih sekvenc in polaroidov) gradi večplasten vizualni jezik, ki poudarja prehod, ritual in prostor samoprepoznanja. Avtor vstopa v lastne projekte tudi avtobiografsko, s čimer briše mejo med opazovalcem in subjektom ter odpira prostor za afirmativno, a neidealizirano predstavitev trans izkušenj.
S svojimi projekti si prizadeva povečevati vidnost in razumevanje trans izkušenj ter skozi vizualni jezik fotografije prispevati k širši družbeni ozaveščenosti o tej tematiki.

Foto: Nal Kocjan
Podpornik: Legebitra, Okvir
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=EN
𝐍𝐚𝐥 𝐊𝐨𝐜𝐣𝐚𝐧: 𝐓𝐡𝐞 𝐁𝐥𝐮𝐞 𝐁𝐮𝐭𝐭𝐞𝐫𝐟𝐥𝐲
24. 3.–19. 4. 2026
Right Atrium, Ljubljana Town Hall

📌𝐄𝐱𝐡𝐢𝐛𝐢𝐭𝐢𝐨𝐧 𝐨𝐩𝐞𝐧𝐢𝐧𝐠: 𝟐𝟒. 𝐌𝐚𝐫𝐜𝐡 𝟐𝟎𝟐𝟔, 𝟔 𝐩𝐦

🎨Guided tour and zine workshop: Tuesday, 31 March 2026, 5 pm. In cooperation with Legebitra.

The Blue Butterfly is a photography project by Nal Kocjan, created in October 2023. It explores the experiences of trans men who have undergone top surgery. Combining studio portraits, Polaroids and sequences of black-and-white analogue film, the project gives visitors insight into the subjects’s stories, identities, and bodies. The studio portraits emphasise the confidence and presence of trans men in the world, the Polaroids capture intimate moments in private spaces, while the sequences symbolise transition and liberation. In 2024, a zine was created in collaboration with the DIH association, integrating the visual material with interviews and quotes that provide a social and cultural context. Through his work, Nal Kocjan explores the identity and visibility of trans men.
(Mars Ema Pečkaj)

𝐍𝐚𝐥 𝐊𝐨𝐜𝐣𝐚𝐧 is a visual artist who employs a variety of photographic techniques in his work to raise awareness of the LGBTIQ+ community and mental health issues. His practice combines studio, analogue, and digital photography, often drawing on personal and community experiences. The Blue Butterfly project was created in 2023 to present his own experience as a trans man. His motivation stems from himself and his own experiences, as well as his desire for greater visibility for his community, its self-representation, and an insight into its intimacy. He is currently completing a photography degree at the Academy of Fine Arts and Design in Ljubljana, where he developed the project.
His work ranges from documentary to directorial, consciously intertwining the aesthetics of fashion photography with intimate, personal moments. Using techniques ranging from studio portraits to analogue sequences and Polaroids, he creates a multi-layered visual language that emphasises transition, ritual, and the space of self-recognition. He also gets autobiographically involved in his own projects, blurring the line between observer and subject and opening up space for an affirmative yet non-idealized portrayal of trans experiences.
Through his projects, he aims to enhance the visibility and understanding of trans experiences and contribute to a broader social understanding of this topic through the visual language of photography.

Photo: Nal Kocjan
Supported by: Legebitra, Okvir