17
Jun
Galerija

SCREENING: Delivery Dancer’s Sphere

Aksioma20.00

π—”π˜†π—Όπ˜‚π—»π—΄ π—žπ—Άπ—Ί
π‘«π’†π’π’Šπ’—π’†π’“π’š 𝑫𝒂𝒏𝒄𝒆𝒓’𝒔 𝑺𝒑𝒉𝒆𝒓𝒆
Screening
17–30 June 2026 | Aksioma | Project Space, Ljubljana
> aksioma.org/delivery-dancer%e2%80%99s-sphere
β‹†Λ–βΊβ€§β‚Šβ—―β‚Šβ€§βΊΛ–β‹†
𝗒𝗽𝗲𝗻𝗢𝗻𝗴: WED, 17 June at 8 PM

In π·π‘’π‘™π‘–π‘£π‘’π‘Ÿπ‘¦ π·π‘Žπ‘›π‘π‘’π‘Ÿβ€™π‘  π‘†π‘β„Žπ‘’π‘Ÿπ‘’ (2022), Korean artist π—”π˜†π—Όπ˜‚π—»π—΄ π—žπ—Άπ—Ί presents a speculative vision of Seoul as an endlessly regenerating labyrinth, where urban space, labour, technology and desire become entangled within a continuously unfolding system. At its centre is Ernst Mo – an anagram of β€œMonster” – a female delivery rider employed by Delivery Dancer, a fictional platform whose workers are governed by Dancemaster, an omnipresent algorithm that orchestrates every movement, route and task.

Set against the luminous backdrop of a nocturnal metropolis, the work draws on the realities of platform labour and the rapid expansion of the gig economy in South Korea, particularly during and after the pandemic. Yet its scope extends far beyond social commentary. The project explores questions of topology, possible worlds, algorithmic control, hypervigilance and the relentless drive towards optimisation of body, time and space. Seoul emerges as a space suspended between techno-orientalism and Asian futurism, at once familiar and speculative.