

๐๐๐๐๐๐๐๐ | ๐๐จ๐ณ๐ฆ๐ข๐ฬ๐ง๐ข ๐ค๐จ๐ฅ๐๐ค๐ญ๐ข๐ฏ: ๐๐ ๐ฉ๐ซ๐จ๐๐ฎ๐ค๐๐ข๐ฃ๐ ๐ข๐ง ๐ง๐ฃ๐๐ง ๐๐ซ๐ฎ๐ ๐ข ๐ฉ๐ซ๐ข๐ก๐จ๐
๐๐ฎ๐ณ๐๐ฃ ๐ฌ๐จ๐๐จ๐๐ง๐ ๐ฎ๐ฆ๐๐ญ๐ง๐จ๐ฌ๐ญ๐ข ๐๐๐ญ๐๐ฅ๐ค๐จ๐ฏ๐, +๐๐๐๐
๐. ๐๐๐๐ซ๐ฎ๐๐ซโ๐๐. ๐๐ฏ๐ ๐ฎ๐ฌ๐ญ ๐๐๐๐
Kustosinja: ๐๐ง๐ ๐๐ข๐ณ๐๐ซ๐ข๐ญ
๐ Odprtje: ๐ฉ๐๐ญ๐๐ค, ๐. ๐๐๐๐ซ๐ฎ๐๐ซ ๐๐๐๐, ๐จ๐ ๐๐. ๐ฎ๐ซ๐ข
Odprtju razstave sledi ๐จ๐ญ๐ฏ๐จ๐ซ๐ข๐ญ๐ฏ๐๐ง๐ข ๐ฉ๐๐ซ๐๐จ๐ซ๐ฆ๐๐ง๐ฌ filma OM produkcije ๐ป๐๐๐๐๐๐๐๐ (1981โ85) avtorice Amande Fior Daliso. ล tirikratno 16-mm projekcija, ki se hkrati predvaja preko ลกtirih projektorjev v kombinaciji s projektorjem super 8, bo izvedel Erwin van ‘t Harta.
V sedemdesetih letih prejลกnjega stoletja se je na preseฤiลกฤu kontrakulturnega misticizma, poststrukturalistiฤnega dvoma in nastajajoฤih medijskih tehnologij oblikoval nenavaden filmski impulz: posneti tisto, kar se izmika oฤem, narediti svet viden preko senzoriฤnega rituala, ki postane kanal za komunikacijo pri odkrivanje nevidenega. Kamera ni bila veฤ le orodje reprezentacije, temveฤ antena, uglaลกena na kozmiฤne frekvence.
๐๏ธ ๐๐ ๐ฉ๐ซ๐จ๐๐ฎ๐ค๐๐ข๐ฃ๐ ni bila klasiฤen filmski kolektiv, temveฤ fiktivna entiteta, ki je obstajala kot koncept in mit, uteleลกen v performativnih projekcijah 8- in 16-mm filmskih trakov. Njena praksa je presegala meje filma z zdruลพitvijo performansa, senzoriฤnih napadov in kolektivne anonimnosti. Gre za entiteto, ki je obenem ustvarjalni subjekt in estetski konstrukt โ zdruลพenje svobodnih ustvarjalcev, ki so v svoji anonimnosti obstajali predvsem kot ideja in kot podpis na filmskih trakovih. OM produkcija je delovala kot fluidna identiteta, ki se je spreminjala glede na projekt, prostor in trenutek, predvsem pa je z omenjenim zabrisovanjem identitet sporoฤala, da pomena ne ustvarja avtor, temveฤ stvaritev sama. Razstava raziskuje delo in identiteto enega najskrivnostnejลกih pojavov slovenskega in jugoslovanskega avantgardnega oziroma eksperimentalnega filma, obenem pa obeleลพuje petdeseto obletnico njegovega delovanja ter njegove ponovne prisotnosti.
๐ ๐๐๐ฬ: https://www.mg-lj.si/si/razstave/4311/razstava-kozmicni-kolektiv-om-produkcija-in-njen-drugi-prihod
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๐๐๐๐๐๐๐๐๐๐ | ๐ ๐๐จ๐ฌ๐ฆ๐ข๐ ๐๐จ๐ฅ๐ฅ๐๐๐ญ๐ข๐ฏ๐: ๐๐ ๐ฉ๐ซ๐จ๐๐ฎ๐๐ญ๐ข๐จ๐ง ๐๐ง๐ ๐๐ญ๐ฌ ๐๐๐๐จ๐ง๐ ๐๐จ๐ฆ๐ข๐ง๐
๐๐ฎ๐ฌ๐๐ฎ๐ฆ ๐จ๐ ๐๐จ๐ง๐ญ๐๐ฆ๐ฉ๐จ๐ซ๐๐ซ๐ฒ ๐๐ซ๐ญ ๐๐๐ญ๐๐ฅ๐ค๐จ๐ฏ๐ (+๐๐๐๐)
๐๐ญ๐ก ๐
๐๐๐ซ๐ฎ๐๐ซ๐ฒโ๐๐๐ซ๐ ๐๐ฎ๐ ๐ฎ๐ฌ๐ญ ๐๐๐๐
Curated by: ๐๐ง๐ ๐๐ข๐ณ๐๐ซ๐ข๐ญ
๐ Opening: ๐ ๐ซ๐ข๐๐๐ฒ, ๐๐ญ๐ก ๐ ๐๐๐ซ๐ฎ๐๐ซ๐ฒ ๐๐๐๐, ๐๐ญ ๐ ๐๐
The opening of the exhibition will feature ๐ ๐ฉ๐๐ซ๐๐จ๐ซ๐ฆ๐๐ง๐๐ of OM production’s Amanda Fior Dalisoโs film ๐ป๐๐๐๐๐๐๐๐ (1981โ85). A quadruple 16 mm projection simultaneously looping through four projectors in combination with one Super 8 projector will be performed by Erwin van ‘t Hart.
In the 1970s, an extraordinary cinematic impulse formed at the intersection of countercultural mysticism, poststructuralist doubt, and emerging media technologies: to film what eludes the eye, to make the world visible through a sensory ritual that becomes a channel for communication in discovering the unseen. No longer a mere tool of representation, the camera became an aerial tuned in to cosmic frequencies.
๐๏ธ ๐๐ ๐ฉ๐ซ๐จ๐๐ฎ๐๐ญ๐ข๐จ๐ง was not a traditional film collective, but a fictional entity existing as a concept and a myth, embodied in performative projections of 8 and 16 mm films. Transcending the boundaries of film, its practice combined performance, sensory assaults, and collective anonymity. It is an entity that is both a creative subject and an aesthetic construct โ an association of freelance creators who existed in their anonymity primarily as ideas and as names on filmstrips. OM production operated as a fluid identity changing with the project, place and time, communicating with this blurring of identities that the meaning is not created by the author, but by the work itself. The exhibition explores the work and identity of this most mysterious phenomenon of Slovenian and Yugoslav avant-garde or experimental film, while also commemorating the 50th anniversary of its founding and celebrating its revival.
๐ ๐๐จ๐ซ๐: https://www.mg-lj.si/en/exhibitions/4311/exhibition-a-cosmic-collective-om-production-and-its-second-coming