MEDNARODNA KONFERENCA | 𝐙𝐠𝐨𝐝𝐛𝐞 𝐨𝐧𝐤𝐫𝐚𝐣 𝐫𝐚𝐝𝐚𝐫𝐣𝐚

𝐌𝐄𝐃𝐍𝐀𝐑𝐎𝐃𝐍𝐀 𝐊𝐎𝐍𝐅𝐄𝐑𝐄𝐍𝐂𝐀 | 𝒁𝒈𝒐𝒅𝒃𝒆 𝒐𝒏𝒌𝒓𝒂𝒋 𝒓𝒂𝒅𝒂𝒓𝒋𝒂

📆 𝟏𝟒. 𝐦𝐚𝐣 𝟐𝟎𝟐𝟔–𝟏𝟔. 𝐦𝐚𝐣 𝟐𝟎𝟐𝟔
📍 𝐌𝐨𝐝𝐞𝐫𝐧𝐚 𝐠𝐚𝐥𝐞𝐫𝐢𝐣𝐚, 𝐌𝐆+

Sodelujejo: 𝐑𝐚𝐧𝐚 𝐀𝐧𝐚𝐧𝐢, 𝐈𝐧𝐤𝐞 𝐀𝐫𝐧𝐬, 𝐙𝐝𝐞𝐧𝐤𝐚 𝐁𝐚𝐝𝐨𝐯𝐢𝐧𝐚𝐜, 𝐅𝐚𝐫𝐞𝐬 𝐂𝐡𝐚𝐥𝐚𝐛𝐢, 𝐆𝐨𝐫𝐚𝐧 Đ𝐨𝐫đ𝐞𝐯𝐢𝐜́, 𝐕𝐥𝐚𝐝𝐚𝐧 𝐉𝐨𝐥𝐞𝐫, 𝐁𝐚𝐫𝐚 𝐊𝐨𝐥𝐞𝐧𝐜, 𝐕𝐚𝐬𝐢𝐟 𝐊𝐨𝐫𝐭𝐮𝐧, 𝐁𝐨𝐣𝐚𝐧𝐚 𝐏𝐢𝐬̌𝐤𝐮𝐫, 𝐎𝐦𝐧𝐢𝐚 𝐄𝐥 𝐒𝐡𝐚𝐤𝐫𝐲, 𝐀𝐥𝐞𝐧𝐤𝐚 𝐙𝐮𝐩𝐚𝐧𝐜̌𝐢𝐜̌, 𝐉𝐚𝐥𝐚𝐥 𝐓𝐨𝐮𝐟𝐢𝐜

Koncept: 𝐙𝐝𝐞𝐧𝐤𝐚 𝐁𝐚𝐝𝐨𝐯𝐢𝐧𝐚𝐜

𝒁𝒈𝒐𝒅𝒃𝒆 𝒐𝒏𝒌𝒓𝒂𝒋 𝒓𝒂𝒅𝒂𝒓𝒋𝒂 je naslov konference, ki jo organiziramo v Moderni galeriji ob razstavi 𝐖𝐚𝐥𝐢𝐝𝐚 𝐑𝐚𝐚𝐝𝐚 z naslovom 𝑭𝒆𝒔𝒕𝒊𝒗𝒂𝒍 (𝒏𝒆)𝒉𝒗𝒂𝒍𝒆𝒛̌𝒏𝒐𝒔𝒕𝒊. Ta z zgodbami, fotografijami, videi, skulpturami in instalacijami raziskuje grajenje, naseljevanje in narative svetov ter načine, kako predmeti, podobe in zgodbe oblikujejo tako zgodovinske kot namišljene pokrajine.

🌀 Konferenca preučuje, kako se sodobna umetnost in teorija odzivata na realnost, ki jo zaznamujejo številne časovnosti – labirintne, nelinearne, digitalne, trenutne, večne, asinhrone in spekulativne –, in sprašuje, kako bi v takih pogojih lahko na novo premislili umetnostno zgodovino, tradicije in muzeje prihodnosti.

🔄 Konferenca se navezuje na razstavo 𝑷𝒓𝒆𝒌𝒊𝒏𝒋𝒆𝒏𝒆 𝒛𝒈𝒐𝒅𝒐𝒗𝒊𝒏𝒆 v Moderni galeriji leta 2006, ki je vzpostavila dialog med vzhodnoevropskimi umetniki in umetniki z Bližnjega vzhoda, in se osredotoča na umetniške prakse, izhajajoče iz t. i. »prostorov prekinjenih zgodovin«, kjer so pogoje za ohranjanje dolgotrajnih zgodovinskih narativov onemogočali stoletja dolgi ekonomski, verski in epistemološki boji. Medtem ko nekateri umetniki iz teh regij odsotnost in nenehno spodkopavanje nekaterih tradicij beležijo kot prizore individualne in kolektivne travme ter sil, ki vplivajo na subjekte v svetu, drugi to odsotnost vidijo kot simptom bolj prevladujočih, zahrbtnih in razdiralnih sil, zaradi katerih začne razpadati sam koncept »sveta«.

🌼 Na razstavi Walida Raada so na ogled tudi 𝐤𝐨𝐥𝐚𝐳̌𝐢 𝐅𝐚𝐝𝐰𝐞 𝐇𝐚𝐬𝐬𝐨𝐮𝐧, nekdanje libanonske vojaške obveščevalke, ki je med libanonsko državljansko vojno lokalnim in mednarodnim voditeljem dodeljevala šifrirana imena. Ti kolaži predstavljajo »besednjak«, ki ni vključen v sisteme znanja. Umetniki razvijajo podobne »protibesednjake« v času naraščajočega nasilja, ko se nenehno pojavljajo nove oblike kodifikacije kulturne dediščine skupaj z novimi načini kolonizacije znanja, zlasti s pomočjo umetne inteligence. V naših nevarnih časih je pomembna strategija tudi to, da se izognemo radarju teh procesov kategorizacije in komodifikacije in se v službi »protiobveščevalnih dejavnosti« naučimo drugače uporabljati domišljijo, znanje in tehnologijo.

👉 Več: https://www.mg-lj.si/si/dogodki/4345/mednarodna-konferenca-zgodbe-onkraj-radarja

***

𝐈𝐍𝐓𝐄𝐑𝐍𝐀𝐓𝐈𝐎𝐍𝐀𝐋 𝐂𝐎𝐍𝐅𝐄𝐑𝐄𝐍𝐂𝐄 | 𝑺𝒕𝒐𝒓𝒊𝒆𝒔 𝑩𝒆𝒚𝒐𝒏𝒅 𝒕𝒉𝒆 𝑹𝒂𝒅𝒂𝒓

📅 𝟏𝟒𝐭𝐡 𝐌𝐚𝐲 𝟐𝟎𝟐𝟔–𝟏𝟔𝐭𝐡 𝐌𝐚𝐲 𝟐𝟎𝟐𝟔
📍 𝐌𝐨𝐝𝐞𝐫𝐧𝐚 𝐠𝐚𝐥𝐞𝐫𝐢𝐣𝐚, 𝐌𝐆+

Participants: 𝐑𝐚𝐧𝐚 𝐀𝐧𝐚𝐧𝐢, 𝐈𝐧𝐤𝐞 𝐀𝐫𝐧𝐬, 𝐙𝐝𝐞𝐧𝐤𝐚 𝐁𝐚𝐝𝐨𝐯𝐢𝐧𝐚𝐜, 𝐅𝐚𝐫𝐞𝐬 𝐂𝐡𝐚𝐥𝐚𝐛𝐢, 𝐆𝐨𝐫𝐚𝐧 Đ𝐨𝐫đ𝐞𝐯𝐢𝐜́, 𝐕𝐥𝐚𝐝𝐚𝐧 𝐉𝐨𝐥𝐞𝐫, 𝐁𝐚𝐫𝐚 𝐊𝐨𝐥𝐞𝐧𝐜, 𝐕𝐚𝐬𝐢𝐟 𝐊𝐨𝐫𝐭𝐮𝐧, 𝐁𝐨𝐣𝐚𝐧𝐚 𝐏𝐢𝐬̌𝐤𝐮𝐫, 𝐎𝐦𝐧𝐢𝐚 𝐄𝐥 𝐒𝐡𝐚𝐤𝐫𝐲, 𝐀𝐥𝐞𝐧𝐤𝐚 𝐙𝐮𝐩𝐚𝐧𝐜̌𝐢𝐜̌, 𝐉𝐚𝐥𝐚𝐥 𝐓𝐨𝐮𝐟𝐢𝐜

Concept: 𝐙𝐝𝐞𝐧𝐤𝐚 𝐁𝐚𝐝𝐨𝐯𝐢𝐧𝐚𝐜

The 𝑺𝒕𝒐𝒓𝒊𝒆𝒔 𝑩𝒆𝒚𝒐𝒏𝒅 𝒕𝒉𝒆 𝑹𝒂𝒅𝒂𝒓 conference takes place around 𝐖𝐚𝐥𝐢𝐝 𝐑𝐚𝐚𝐝’s exhibition at Moderna galerija in Ljubljana, where stories, photographs, videos, sculptures, and installations explore how worlds are built, inhabited and narrated, and how objects, images and stories shape both our historical and imaginary landscapes.

🌀 The conference examines how contemporary art and theory respond to a reality marked by multiple temporalities – labyrinthine, non-linear, digital, instantaneous, eternal, asynchronous, and speculative, among others – and asks how we might rethink art history, traditions, and the museums of the future under such conditions.

🔄 Leaning on the 2006 exhibition 𝑰𝒏𝒕𝒆𝒓𝒓𝒖𝒑𝒕𝒆𝒅 𝑯𝒊𝒔𝒕𝒐𝒓𝒊𝒆𝒔 at Moderna galerija – which brought Eastern European artists into dialogue with artists from the Middle East – the conference examines artistic practices emerging from what we call “spaces of interrupted histories.” In this context, the very conditions for sustaining long-term historical narratives have been disrupted by centuries of economic, religious, and epistemological struggle. While some artists from these regions register the absence and continual undermining of certain traditions as scenes of individual and collective trauma, of forces affecting subjects in the world, others view this absence as symptomatic of more pervasive, insidious, and fracturing forces where the very concept of “the world” begins to come apart.

🌼 Walid Raad’s exhibition also features 𝐜𝐨𝐥𝐥𝐚𝐠𝐞𝐬 𝐛𝐲 𝐅𝐚𝐝𝐰𝐚 𝐇𝐚𝐬𝐬𝐨𝐮𝐧, a former Lebanese Army intelligence officer who assigned code names to local and international leaders during the Lebanese Civil War. These collages represent a “vocabulary” that has not been incorporated into knowledge systems. Artists are developing similar “counter-vocabularies” in times of increasing violence when new forms of codifying cultural heritage are constantly emerging – along with new ways of colonizing knowledge, especially with the help of AI. In our dangerous times, one of the important strategies is to avoid the radar of these categorization and commodification processes, and learn to use our imagination, knowledge and technology differently in the service of “counterintelligence activities.”

👉 More: https://www.mg-lj.si/en/events/4345/international-conference-stories-beyond-the-radar