
***ENG BELOW***
๐๐ ๐ฬ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐ฬ๐๐๐ | ๐๐ซ๐จ๐ฃ๐๐ค๐๐ข๐ฃ๐ ๐๐ข๐ฅ๐ฆ๐จ๐ฏ ๐๐ซ๐ฐ๐ ๐๐๐ฎ๐ซ๐๐ฐ๐ ๐ข๐ง ๐๐ฎ๐ซ๐๐๐ ๐๐ก๐๐ก๐ ๐ญ๐๐ซ ๐๐ง๐๐ฌ ๐๐๐ฅ๐๐๐ข
๐ฐ ๐๐ซ๐๐๐, ๐๐. ๐จ๐ค๐ญ๐จ๐๐๐ซ ๐๐๐๐, ๐๐:๐๐
๐๐๐ฎ๐ณ๐๐ฃ ๐ฌ๐จ๐๐จ๐๐ง๐ ๐ฎ๐ฆ๐๐ญ๐ง๐จ๐ฌ๐ญ๐ข ๐๐๐ญ๐๐ฅ๐ค๐จ๐ฏ๐ (+๐๐๐๐)
๐ด ๐๐ซ๐ฐ๐ ๐๐๐ฎ๐ซ๐๐ฐ๐ in ๐๐ฎ๐ซ๐๐ ๐๐ก๐๐ก: ๐ผ๐ ๐ ฬ๐ ๐ฃ๐๐๐๐ ๐๐ ๐ก๐๐๐, 2023, 28โ
Film ๐ผ๐ ๐ ฬ๐ ๐ฃ๐๐๐๐ ๐๐ ๐ก๐๐๐ je mogoฤna meditacija o dolgoroฤnih posledicah francoskih jedrskih poskusov v juลพni Alลพiriji. Podaja presunljivo in prepriฤljivo sliko skupnosti, ki jo je oblikovala njena zgodovina, ne da bi jo omejila. V vasi Mertoutek visoko v gorovju Hoggar v alลพirski juลพni Sahari se pridruลพimo skupnosti Escamaran, ko pripovedujejo svoje zgodbe in svoje razumevanje tega, kaj pomeni ลพiveti s kolonialno zastrupljenostjo. Reลพiserja Arwa Aburawa in Turab Shah postavita pokrajino v vlogo priฤe in protagonista ter pretanjeno raziskujeta pozabljeno zgodovino, ki ลกe vedno ลพivi v okolju in telesih prebivalcev Mertouteka. Film, ki preobrne francoski narativ o tehnoloลกkem zmagoslavju, se vraฤa na kraj eksplozij, da bi raziskal ฤas, pravico, dekolonizacijo in odpornost v sooฤenju s trajnim strupenim kolonializmom.
๐ด๐๐ง๐๐ฌ ๐๐๐ฅ๐๐๐ข: ๐๐ ๐๐๐๐๐๐ ๐ ๐๐ ๐ฃ๐๐๐๐๐, ๐ฃ ๐๐๐ก๐๐๐ ๐ ๐๐๐ ๐๐โ๐ ๐ฃ๐๐ก๐๐, 2019, 11โ57โ
Film ๐๐ ๐๐๐๐๐๐ ๐ ๐๐ ๐ฃ๐๐๐๐๐, ๐ฃ ๐๐๐ก๐๐๐ ๐ ๐๐๐ ๐๐โ๐ ๐ฃ๐๐ก๐๐ raziskuje materialne uฤinke sevanja, tako fiziฤno kot metaforiฤno. Na osnovi raziskav lokalnega jedrskega fizika Khalila Thabayneha preiskuje morebitno zakopavanje jedrskih odpadkov in prisotnost nenaravnega sevanja na obmoฤju Hebrona v Palestini. Z rdeฤimi plastiฤnimi filtri, nameลกฤenimi pred objektiv kamere, so na razliฤnih mestih nastali razliฤni odtenki rdeฤe barve, ki naredijo stopnjo radioaktivnosti vidno. Posredovanje informacij je na razliฤne naฤine ovirano, zadrลพano ali odloลพeno, zato se film posveti vpraลกanjem reprezentacije in posredovanja. Cezij-137, nevidni, a smrtonosni izotop lahko razumemo kot sinekdoho za bolj neoprijemljivo nevidnost โ sistemska omreลพja moฤi in nadzora v regiji โ in delo postane meditacija o tem, kako pojasniti tisto, ฤesar se ne da posneti, a je neizprosno.
Veฤ ๐ https://www.mg-lj.si/si/dogodki/4208/cikel-zivi-utrip-dezele/
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๐๐๐ ๐๐๐ ๐๐๐๐’๐ ๐๐๐๐๐๐ ๐๐๐๐๐ | ๐
๐ข๐ฅ๐ฆ๐ฌ ๐๐ฒ ๐๐ซ๐ฐ๐ ๐๐๐ฎ๐ซ๐๐ฐ๐ & ๐๐ฎ๐ซ๐๐ ๐๐ก๐๐ก ๐๐ง๐ ๐๐ง๐๐ฌ ๐๐๐ฅ๐๐๐ข
๐ฐ ๐๐๐๐ง๐๐ฌ๐๐๐ฒ, ๐๐ ๐๐๐ญ๐จ๐๐๐ซ ๐๐๐๐, ๐๐:๐๐
๐๐๐ฎ๐ฌ๐๐ฎ๐ฆ ๐จ๐ ๐๐จ๐ง๐ญ๐๐ฆ๐ฉ๐จ๐ซ๐๐ซ๐๐ฒ ๐๐ซ๐ญ ๐๐๐ญ๐๐ฅ๐ค๐จ๐ฏ๐ (+๐๐๐๐)
๐ด ๐๐ซ๐ฐ๐ ๐๐๐ฎ๐ซ๐๐ฐ๐ and ๐๐ฎ๐ซ๐๐ ๐๐ก๐๐ก: ๐ด๐๐ ๐ ๐ก๐๐๐, ๐๐ก ๐๐๐๐๐๐๐ , 2023, 28โ
A powerful meditation on the afterlives of French nuclear tests in southern Algeria, ๐ด๐๐ ๐ ๐ก๐๐๐, ๐๐ก ๐๐๐๐๐๐๐ offers a captivating and compelling picture of a community shaped but not circumscribed by its history. In Mertoutek, a village nestled in the Hoggar Mountains and summoning the landscape as a witness and protagonist, the directors Arwa Aburawa and Turab Shah sensitively explore this forgotten history, which continues to live in the ecology and bodies of Mertoutekโs residents. Inverting the French narrative of technological triumph, the film returns to the site of the detonations to explore time, justice, decolonization, and resilience in the face of enduring toxic colonialism.
๐ด ๐๐ง๐๐ฌ ๐๐๐ฅ๐๐๐ข: ๐๐ ๐ป๐๐ฃ๐ ๐ด๐๐ค๐๐ฆ๐ ๐พ๐๐๐ค๐ ๐กโ๐ ๐๐๐๐โ๐ ๐ท๐๐๐๐๐ก๐๐๐, 2019, 11โ57โ
๐๐ ๐ป๐๐ฃ๐ ๐ด๐๐ค๐๐ฆ๐ ๐พ๐๐๐ค๐ ๐กโ๐ ๐๐๐๐โ๐ ๐ท๐๐๐๐๐ก๐๐๐ explores the material effects of radiation, both physically and metaphorically. Following research conducted by a local nuclear physicist, Khalil Thabayneh, the film probes the possible burial of nuclear waste and the presence of manmade radiation in the Hebron District of Palestine. By placing red plastic filter sheets in front of the camera lens in various locations, different shades of red are generated that make visible the levels of radioactivity. In various ways, the delivery of this information is then thwarted, withheld, or delayed, and the film comes to turn on issues of representation and conveyance. The isotope Cesium 137, invisible but deadly, can be seen as a synecdoche for a more ungraspable invisibility โ the systemic networks of power and control in the region โ and the work becomes a meditation on how to account for the unfilmable but inexorable.
More ๐ https://www.mg-lj.si/en/events/4208/series-the-living-pulse-of-the-country/