6. TRIENALE MLADIH UMETNIC IN UMETNIKOV – PREMIERA 2025

Prijazno vabljeni_e na odprtje 6. trienala mladih umetnic in umetnikov PREMIERA v petek, 4. julija, ob 19. uri v Galerijo sodobne umetnosti.

Na dan odprtja si boste ogledali_e performans Bloated Hristijana Nashulovskega in skupinsko razstavo Polja intime, prehajanja in potenciali medija.

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𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗔 𝟮𝟬𝟮𝟱
𝗣𝗼𝗹𝗷𝗮 𝗶𝗻𝘁𝗶𝗺𝗲, 𝗽𝗿𝗲𝗵𝗮𝗷𝗮𝗻𝗷𝗮 𝗶𝗻 𝗽𝗼𝘁𝗲𝗻𝗰𝗶𝗮𝗹𝗶 𝗺𝗲𝗱𝗶𝗷𝗮

𝗧𝗶𝗻𝗸𝗮𝗿𝗮 𝗕𝗮𝗯𝗶ć, 𝗕𝗮𝗱 𝗔𝗿𝘁𝗶𝘀𝘁 & 𝗜𝘃𝗮 𝗦𝘂𝗵𝗮𝗱𝗼𝗹𝗻𝗶𝗸 𝗚𝗿𝗲𝗴𝗼𝗿𝗶𝗻, 𝗟𝘂č𝗸𝗮 𝗖𝗲𝗻𝘁𝗮, 𝗝𝘂𝗿𝗶𝗷 𝗛𝗮𝗿𝘁𝗺𝗮𝗻, 𝗔𝗻𝗮 𝗝𝗮𝗻𝗲ž, Ž𝗼𝗲𝗹 𝗞𝗮𝘀𝘁𝗲𝗹𝗶𝗰, 𝗥𝗲𝗻𝗲 𝗞𝗲𝘁𝗶š, 𝗔𝗻𝗷𝗮 𝗞𝗼č𝗮𝗿, 𝗔𝗻𝗮 𝗞𝗼𝘁𝗮𝗿 Š𝗸𝗮𝗿𝗷𝗮𝗸, 𝗟𝗮𝘂𝗿𝗮 𝗞𝗿𝗮𝗷𝗻𝗰, 𝗔𝗴𝗮𝘁𝗲 𝗟𝗶𝗲𝗹𝗽ē𝘁𝗲𝗿𝗲, 𝗠𝗮𝘁𝗲𝗷 𝗠𝗶𝗵𝗲𝘃𝗰, 𝗛𝗿𝗶𝘀𝘁𝗶𝗷𝗮𝗻 𝗡𝗮s𝗵𝘂𝗹𝗼𝘃𝘀𝗸𝗶, 𝗛𝗮𝗻𝗮 𝗣𝗼𝗱𝘃𝗿š𝗶č, 𝗗𝘂𝗻𝗷𝗮 𝗥𝗮𝗵𝗼𝘃𝘀𝗸𝘆 Š𝘂𝗹𝗶𝗴𝗼𝗷, 𝗢𝗹𝗷𝗮 𝗦𝗶𝗺č𝗶č 𝗝𝗲𝗿𝗲𝗹𝗲, 𝗞𝗮𝘁𝗮𝗿𝗶𝗻𝗮 𝗦𝗻𝗼𝗷, 𝗧𝗮𝗷𝗱𝗮 𝗦𝘁𝗶𝗽𝗹𝗼𝘃š𝗲𝗸 𝗝𝘂𝗴, 𝗝𝗮𝗻𝘂š 𝗦𝘂š𝗮, 𝗜𝘇𝗮 Š𝘁𝗿𝘂𝗺𝗯𝗲𝗹𝗷 𝗢𝗯𝗹𝗮𝗸, 𝗟𝗲𝗮 𝗧𝗼𝗽𝗼𝗹𝗼𝘃𝗲𝗰 𝗶𝗻 𝗬𝗮𝗻𝗮 𝗗𝗲𝗹𝗶𝘆𝘀𝗸𝗮, 𝗟𝗮𝗿𝗮 Ž𝗮𝗴𝗮𝗿

Razstave umetniške produkcije mladih umetnic in umetnikov so se v zadnjem desetletju razmahnile in postale utečena praksa mnogih galerij, kulturnih centrov in festivalov. Če je bila prva razstava Premiera Centra sodobnih umetnosti leta 2008 v slovenskem prostoru ena redkih manifestacij, kjer so prostor za profesionalno predstavitev dobili umetniki in umetnice, ki so šele zaključevali umetniške študije in vstopali na umetnostno prizorišče, je danes le ena od mnogih, ki so si po kuratorskih pristopih in obsegu zelo različne. Njeno kontinuiteto in prepoznavnost kljub temu vidimo kot pomemben prispevek sledenju sodobnim umetniškim praksam pri nas. Skupinska razstava, ki jo pripravimo na podlagi izbora umetnic in umetnikov, prijavljenih na odprti poziv, je eden od pogledov na razvoj sodobne vizualne ustvarjalnosti in na potenciale, ki jih prinaša. Hkrati je simptomatska sled rezultatov akademskih študijskih okolij ter sistemov, ki se vzpostavljajo (ali se ne) znotraj umetnostnega polja. Razstava nam prikaže aktualne pristope k obravnavi umetniških medijev – ti seveda segajo tudi preko dolgo uveljavljenih likovnih praks – in skuša povezati tako tiste umetnice in umetnike, ki so že razvili prepoznaven umetniški jezik kot tiste, ki svoje prakse razvijajo ob koncu študija na akademijah. Obraz daje novim generacijam ustvarjalk in ustvarjalcev ter obenem decentralizira možnost za njihove predstavitve v slovenskem prostoru.

Letos na trienalu Premiera predstavljamo kar 21 umetniških del, ki jih je pripravilo 24 umetnikov in umetnic. Razvejano polje sodobne ustvarjalnosti, ki postavlja nove izzive, razkrivajo skozi prikaz študijskih in poglobljenih metod ustvarjanja v sodobnem slikarstvu in kiparstvu, intermedijskih praksah, fotografiji in animiranem filmu, performansu in instalaciji ter dela spajajo z artikulirano sporočilno vsebino. Enoten tematski okvir razstave se izmika, saj odprtega poziva vsebinsko ne zamejujemo – kuratorski pristop se torej oblikuje ob samem pregledu in izboru del – nedvomno pa kaže na težnjo po drugače postavljenih razmerjih med medijem in sporočilom, med vsebino dela in njegovim nosilcem, med delom in umetnikovo intimo, med telesom in prostorom.

Več:

Polja intime, prehajanja in potenciali medija

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ENG

𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘 𝟮𝟬𝟮𝟱
𝗙𝗶𝗲𝗹𝗱𝘀 𝗼𝗳 𝗶𝗻𝘁𝗶𝗺𝗮𝗰𝘆, 𝘁𝗿𝗮𝗻𝘀𝗶𝘁𝗶𝗼𝗻𝘀 𝗮𝗻𝗱 𝗽𝗼𝘁𝗲𝗻𝘁𝗶𝗮𝗹𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗺𝗲𝗱𝗶𝘂𝗺

𝗧𝗶𝗻𝗸𝗮𝗿𝗮 𝗕𝗮𝗯𝗶ć, 𝗕𝗮𝗱 𝗔𝗿𝘁𝗶𝘀𝘁 & 𝗜𝘃𝗮 𝗦𝘂𝗵𝗮𝗱𝗼𝗹𝗻𝗶𝗸 𝗚𝗿𝗲𝗴𝗼𝗿𝗶𝗻, 𝗟𝘂č𝗸𝗮 𝗖𝗲𝗻𝘁𝗮, 𝗝𝘂𝗿𝗶𝗷 𝗛𝗮𝗿𝘁𝗺𝗮𝗻, 𝗔𝗻𝗮 𝗝𝗮𝗻𝗲ž, Ž𝗼𝗲𝗹 𝗞𝗮𝘀𝘁𝗲𝗹𝗶𝗰, 𝗥𝗲𝗻𝗲 𝗞𝗲𝘁𝗶š, 𝗔𝗻𝗷𝗮 𝗞𝗼č𝗮𝗿, 𝗔𝗻𝗮 𝗞𝗼𝘁𝗮𝗿 Š𝗸𝗮𝗿𝗷𝗮𝗸, 𝗟𝗮𝘂𝗿𝗮 𝗞𝗿𝗮𝗷𝗻𝗰, 𝗔𝗴𝗮𝘁𝗲 𝗟𝗶𝗲𝗹𝗽ē𝘁𝗲𝗿𝗲, 𝗠𝗮𝘁𝗲𝗷 𝗠𝗶𝗵𝗲𝘃𝗰, 𝗛𝗿𝗶𝘀𝘁𝗶𝗷𝗮𝗻 𝗡𝗮𝗵𝘂𝗹𝗼𝘃𝘀𝗸𝗶, 𝗛𝗮𝗻𝗮 𝗣𝗼𝗱𝘃𝗿š𝗶č, 𝗗𝘂𝗻𝗷𝗮 𝗥𝗮𝗵𝗼𝘃𝘀𝗸𝘆 Š𝘂𝗹𝗶𝗴𝗼𝗷, 𝗢𝗹𝗷𝗮 𝗦𝗶𝗺č𝗶č 𝗝𝗲𝗿𝗲𝗹𝗲, 𝗞𝗮𝘁𝗮𝗿𝗶𝗻𝗮 𝗦𝗻𝗼𝗷, 𝗧𝗮𝗷𝗱𝗮 𝗦𝘁𝗶𝗽𝗹𝗼𝘃š𝗲𝗸 𝗝𝘂𝗴, 𝗝𝗮𝗻𝘂š 𝗦𝘂š𝗮, 𝗜𝘇𝗮 Š𝘁𝗿𝘂𝗺𝗯𝗲𝗹𝗷 𝗢𝗯𝗹𝗮𝗸, 𝗟𝗲𝗮 𝗧𝗼𝗽𝗼𝗹𝗼𝘃𝗲𝗰 𝗶𝗻 𝗬𝗮𝗻𝗮 𝗗𝗲𝗹𝗶𝘆𝘀𝗸𝗮, 𝗟𝗮𝗿𝗮 Ž𝗮𝗴𝗮𝗿

Exhibitions featuring the work of young artists have flourished over the last decade and have become a regular fixture of many galleries, cultural centres and festivals. While the first exhibition entitled Premiere, organised by the Center for Contemporary Arts in 2008, was one of the few events in Slovenia that gave a platform for a professional presentation to artists who were just finishing their artistic studies and entering the art scene, today it is only one of many, which are very different in their curatorial approaches and scope. Its continuity and visibility are nevertheless seen as an important contribution to how contemporary artistic practices are being followed in Slovenia. A group exhibition, based on a selection of artists who applied to an open call, is one way of looking at the developments in the field of visual arts and the potentials it brings. At the same time, it is a symptomatic trace of the results of academic study environments and systems that are being established (or not) within the art field. The exhibition presents us with the current approaches to the treatment of artistic media – which, of course, also go beyond long-established fine art practices – and seeks to connect both those artists who have already developed a recognisable artistic language and those who are developing their practices at the end of their studies at academies. It gives a face to new generations of artists, while decentralising the possibility of their presentation within our region.

This year, the Premiere Triennial presents no less than 21 works of art by 24 artists. They reveal the evolving field of contemporary creativity, which poses new challenges, through the presentation of studied and in-depth research methods of creation in contemporary painting and sculpture, intermedia practices, photography and animated film, performance and installation, and fuse the works with an articulated meaning. A unified thematic framework for the exhibition eludes us, as the open call is not defined by its content – the curatorial approach is therefore shaped by the examination and selection of the works themselves – but it undoubtedly points to a tendency towards a different set of relations between the medium and the message, between the content of the work and its medium, between the work and the artist’s intimacy, and between the body and the space.

More:
https://csu.si/en/exhibition/fields-of-intimacy-transitions-and-potentials-of-the-medium/